Abyss Film

Abyss Film Filme wie Abyss

Das US-amerikanische Atom-U-Boot USS Montana sinkt am Rande des Kaimangrabens auf Grund, nur 80 Meilen vor der kubanischen Küste. Die Chefkonstrukteurin der Rig, Dr. Lindsey Brigman und die Navy Seals starten eine riskante Rettungsaktion. Die. Abyss – Abgrund des Todes (Originaltitel: The Abyss) ist ein Science-Fiction-Film des Regisseurs James Cameron aus dem Jahr Der Film startete am In dem Oscar-prämierten Sci-Fi-Spektakel The Abyss von James Cameron haben Ed Harris und Mary Elizabeth Mastrantonio eine irritierende Begegnung der. Abyss - der Film - Inhalt, Bilder, Kritik, Trailer, Kinostart-Termine und Bewertung | schertel.co Abyss – Abgrund des Todes (Director's Cut) - der Film - Inhalt, Bilder, Kritik, Trailer, Kinostart-Termine und Bewertung | schertel.co

Abyss Film

'The Abyss' ist ein amerikanischer Science Fiction-Film von James Cameron mit Mary Elizabeth Mastrantonio und Ed Harris aus dem Jahr Ein. In dem Oscar-prämierten Sci-Fi-Spektakel The Abyss von James Cameron haben Ed Harris und Mary Elizabeth Mastrantonio eine irritierende Begegnung der. Entdecke die Filmstarts Kritik zu "Abyss - Abgrund des Todes" von James Cameron: „Cameron may have fashioned his film out of familiar parts, but he's put them. Melde dich an, um einen Kommentar zu schreiben. Schauspielerinnen und Heute Star Schlag Den. Ein Partner von. Filmtyp Spielfilm. Mikael Salomons enorm mobile Kamera braucht sich selbst hinter der Leistung von Jost Vacano bei Das Boot nicht zu verstecken und gerät nie zum Selbstzweck. Datenschutzbestimmungen anzeigen. Redaktionskritik Liegt das Schicksal der Menschheit tief unten am finsteren Meeresgrund? Nach fünf Tagen war dieser gefüllt. Tonformat. Die Crew hat Erlebnisse mit den fremden Lebensformen, die offenbar tief unten im nahegelegenen Abgrund leben.

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Alternate Versions. Director: Andrew Traucki. Added to Watchlist. Everything New on Hulu in June. Killer Alligators and Crocodiles.

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The Republic of Sarah. A civilian diving team is enlisted to search for a lost nuclear submarine and face danger while encountering an alien aquatic species.

Director: James Cameron. Writer: James Cameron. Available on Amazon. Added to Watchlist. From metacritic. What's New on Prime Video in June.

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You must be a registered user to use the IMDb rating plugin. Won 1 Oscar. Edit Cast Cast overview, first billed only: Ed Harris Bud Brigman Mary Elizabeth Mastrantonio Lindsey Brigman Michael Biehn Coffey Leo Burmester Catfish De Vries Todd Graff Jammer Willis J.

Lew Finler as Capt. Kidd Brewer Jr. George Robert Klek Wilhite Christopher Murphy Schoenick Adam Nelson Ensign Monk Dick Warlock Leland McBride J.

Kenneth Campbell Learn more More Like This. Sphere Action Mystery Sci-Fi. Contact Drama Mystery Sci-Fi. True Lies Action Comedy Thriller.

Event Horizon Horror Sci-Fi Thriller. Close Encounters of the Third Kind Drama Sci-Fi. The Fifth Element Action Adventure Sci-Fi.

Sunshine Sci-Fi Thriller. Pandorum Michael Biehn also grew frustrated by the waiting. He claimed that he was in South Carolina for five months and only acted for three to four weeks.

It was so black I couldn't see my hand. I couldn't surface. I realized I might not get out of there. We just had to get our frustrations out.

Harris later denied this rumor and helped promote the film. Fun to make is not one of them. To create the alien water tentacle, Cameron initially considered cel animation or a tentacle sculpted in clay and then animated via stop-motion techniques with water reflections projected onto it.

The set was photographed from every angle and digitally recreated so that the pseudopod could be accurately composited into the live-action footage.

The film was to have opened on July 4, , but its release was delayed for more than a month by production and special effects problems.

Studio executives were nervous about the film's commercial prospects when preview audiences laughed at scenes of serious intent.

Industry insiders said that the release delay was because nervous executives ordered the film's ending completely re-shot.

The critical consensus states: "The utterly gorgeous special effects frequently overshadow the fact that The Abyss is also a totally gripping, claustrophobic thriller, complete with an interesting crew of characters.

David Ansen of Newsweek , summarizing the theatrical release, wrote, "The payoff to The Abyss is pretty damn silly — a portentous deus ex machina that leaves too many questions unanswered and evokes too many other films.

In the end, however, this torpedo turns out to be a dud—it swerves at the last minute, missing its target and exploding ineffectually in a flash of fantasy and fairy-tale schtick.

While praising the film's first two hours as "compelling", the Toronto Star remarked, "But when Cameron takes the adventure to the next step, deep into the heart of fantasy, it all becomes one great big deja boo.

If we are to believe what Cameron finds way down there, E. But the dopey wrap-up sinks the rest 20, leagues. I'd sooner believe that Moby Dick could swim up the drainpipe.

The release of the Special Edition in garnered much praise. Each giving it thumbs up, Siskel remarked, " The Abyss has been improved," and Ebert added, "It makes the film seem more well rounded.

It was also nominated for:. The film ended up winning a total of three other awards from these organizations. The soundtrack to The Abyss was released on August 22, Even as the film was in the first weeks of its theatrical release, rumors were circulating of a wave sequence missing from the film's end.

From the distributor's perspective, the looming three-hour length limited the number of times the film could be shown each day, assuming that audiences would be willing to sit through the entire film, though 's Dances with Wolves would shatter both industry-held notions.

Further, test audience screenings revealed a surprisingly mixed reaction to the sequences as they appeared in their unfinished form; in post-screening surveys, they dominated both the "Scenes I liked most" and "Scenes I liked least" fields.

Contrary to speculation, studio meddling was not the cause of the shortened length; Cameron held final cut as long as the film met a running time of roughly two hours and 15 minutes.

He later noted, "Ironically, the studio brass were horrified when I said I was cutting the wave. What emerges in the winnowing process is only the best stuff.

And I think the overall caliber of the film is improved by that. I cut only two minutes of Terminator. On Aliens , we took out much more.

I even reconstituted some of that in a special TV release version. The sense of something being missing on Aliens was greater for me than on The Abyss , where the film just got consistently better as the cut got along.

The film must function as a dramatic, organic whole. When I cut the film together, things that read well on paper, on a conceptual level, didn't necessarily translate to the screen as well.

I felt I was losing something by breaking my focus. Breaking the story's focus and coming off the main characters was a far greater detriment to the film than what was gained.

The film keeps the same message intact at a thematic level, not at a really overt level, by working in a symbolic way. Cameron elected to remove the sequences along with other, shorter scenes elsewhere in the film, reducing the running time from roughly two hours and 50 minutes to two hours and 20 minutes and diminishing his signature themes of nuclear peril and disarmament.

Subsequent test audience screenings drew substantially better reactions. Star Mary Elizabeth Mastrantonio publicly expressed regret about some of the scenes selected for removal from the film's theatrical cut: "There were some beautiful scenes that were taken out.

I just wish we hadn't shot so much that isn't in the film. Shortly after the film's premiere, Cameron and video editor Ed Marsh created a longer video cut of The Abyss for their own use that incorporated dailies.

The CGI tools developed for Terminator 2: Judgment Day allowed ILM to complete the rumored tidal wave sequence, as well as correcting flaws in rendering for all their other work done for the film.

The tidal wave sequence had originally been designed by ILM as a physical effect, using a plastic wave, but Cameron was dissatisfied with the end result, and the sequence was scrapped.

Terminator 2: Judgment Day screenwriter and frequent Cameron collaborator William Wisher had a cameo in the scene as a reporter in Santa Monica who catches the first tidal wave on camera.

When it was discovered that original production sound recordings had been lost, new dialogue and foley were recorded, but since Kidd Brewer had died of a self-inflicted gunshot [45] before he could return to re-loop his dialog, producers and editors had to lift his original dialogue tracks from the remaining optical-sound prints of the dailies.

The Special Edition was therefore dedicated to his memory as a result. As Alan Silvestri was not available to compose new music for the restored scenes, Robert Garrett, who had composed temporary music for the film's initial cutting in , was chosen to create new music.

The Special Edition was completed in December , with 28 minutes added to the film, and saw a limited theatrical release in New York City and Los Angeles on February 26, , and expanded to key cities nationwide in the following weeks.

Both versions of the film continue to receive public exhibitions, including a screening of an original 35mm print of the theatrical cut on August 20, , in New York City.

In the pay cable channels Cinemax and HBO began broadcasting both versions of the film in p. Cameron gestured to the head of Fox Home Entertainment, implying the decision lay with the studio.

Cameron added, "We've done a wet-gate 4K scan of the original negative, and it's going to look insanely good. In March digital intermediate colourist Skip Kimball posted a photo to his Instagram suggesting that he was working on the film.

In November Cameron told Empire magazine that a Blu-ray transfer was "complete for my review" and he hoped it would be ready before Science-fiction author Orson Scott Card was hired to write a novelization of the film based on the screenplay and discussions with Cameron.

Card also wrote the aliens as a colonizing species which preferentially sought high-pressure deep-water worlds to build their ships as they traveled further into the galaxy their mothership was in orbit on the far side of the moon.

The NTIs' knowledge of neuroanatomy and nanoscale manipulation of biochemistry was responsible for many of the deus ex machina aspects of the film.

A licensed interactive fiction video game based on the script was being developed for Infocom by Bob Bates , but was cancelled when Infocom was shut down by its then-parent company Activision.

The game takes place a few years after the film, where the player must find a cure for a deadly virus. From Wikipedia, the free encyclopedia.

For other uses, see Abyss disambiguation. Theatrical release poster. Archived from the original on September 7, Retrieved September 6, British Board of Film Classification.

October 17, Archived from the original on March 17, Retrieved June 28, Box Office Mojo. Archived from the original on March 3,

The film must function as a dramatic, organic. Sentai Filmworks has licensed the series, and streamed it Wir Monster Film Amazon 's Anime Strike service in the Go here. Die beiden Wasserfahrzeuge Flatbed und Cab One wurden read more für den Film von Can-Dive Services Limited hergestellt, einem kommerziellen kanadischen Tauchunternehmen, welches auf Tauchsysteme und Unterwassertechnologie spezialisiert ist. Two specially constructed tanks were used. Add the first question. Abyss Film George Robert Klek. Mir persönlich ging der Film einfach viel zu lange. Doch die Fixierung auf das Militär und insbesondere auf Atombomben, die selbst in der Action-Komödie True Lies nicht fehlt, hat click the following article Cameron oft auch einen 1 Stream Kinox Ostwind Boden. Doch es kommt noch schlimmer: Es häufen sich unerklärliche Geschehnisse, hinter denen Coffey neuartige russische Spionagetechniken wähnt. Dieses Verfahren ermöglicht einem Taucher, weiter hinab zu tauchen als mit Druckluftflaschen, da der Körper durch die Link in den Lungen vom zunehmenden Wasserdruck nicht zusammengedrückt wird. Während see more die Verhältnisse auf der Oberfläche zusehends verschlechtern, holen die Spezialkräfte den ersten Sprengkopf von der USS Montana, die nur wenige Meter vom über

Abyss Film Video

The Terminator

Abyss Film Redaktionskritik

Es lag vielleicht an der Directors Cut Edition oder an den ewig langen Szenen, auch wurde für mich der Schluss erst irgendwie spannend. Nur der Soundtrack ist stellenweise unnötig aufdringlich. Die Besten Thriller. Ein Film den man sich bei Langeweile sicherlich angucken kann. Redaktionskritik Liegt das Schicksal der Menschheit tief unten am finsteren Meeresgrund? Aktuelle News zu weiteren Filmen. Cameron, aber auch nicht der Schlechteste. Todd Graff. Aber die Leihvideoversion war Running Man bodenlose Unverschämtheit: Gerade die alles entscheidende Szene war this web page worden.

Abyss Film Video

Бездна, 1989, США - The Abyss, 1989, USA

George Robert Klek Wilhite Christopher Murphy Schoenick Adam Nelson Ensign Monk Dick Warlock Leland McBride J.

Kenneth Campbell Learn more More Like This. Sphere Action Mystery Sci-Fi. Contact Drama Mystery Sci-Fi.

True Lies Action Comedy Thriller. Event Horizon Horror Sci-Fi Thriller. Close Encounters of the Third Kind Drama Sci-Fi.

The Fifth Element Action Adventure Sci-Fi. Sunshine Sci-Fi Thriller. Pandorum Action Horror Mystery. Gattaca Drama Sci-Fi Thriller. Starship Troopers Humans in a fascist, militaristic future wage war with giant alien bugs.

Total Recall Action Sci-Fi Thriller. Pitch Black Action Horror Sci-Fi. Edit Storyline Formerly married petroleum engineers who still have some issues to work out.

Taglines: There's everything you've ever known about adventure, and then there's The Abyss. Edit Did You Know?

Trivia The logo for Benthic Petroleum is nearly identical to that of Berkey Photo, which at the time manufactured lighting equipment commonly used in films and theater.

Goofs Lindsey's hair during the drowning revival scene. No way, Barnes. The Reds don't have anything that fast. These are the actual models used for the unmanned submarines.

Alternate Versions The end credits were famously shortened to run under 5 minutes in in order to hit a target runtime and maximize daily showings; doing so also made the crawl almost illegibly tiny and fast.

Several home video releases of the theatrical edition on laserdisc and DVD actually use the newer credits, so they are not entirely faithful!

One VHS tape Fox Video Selections , at least, uses the original short credits; though the tape is formatted for , the credits merely gain picture information above and below the intended window which, for some reason, is very high up in the frame after the first few names.

Was this review helpful to you? Yes No Report this. When I cut the film together, things that read well on paper, on a conceptual level, didn't necessarily translate to the screen as well.

I felt I was losing something by breaking my focus. Breaking the story's focus and coming off the main characters was a far greater detriment to the film than what was gained.

The film keeps the same message intact at a thematic level, not at a really overt level, by working in a symbolic way. Cameron elected to remove the sequences along with other, shorter scenes elsewhere in the film, reducing the running time from roughly two hours and 50 minutes to two hours and 20 minutes and diminishing his signature themes of nuclear peril and disarmament.

Subsequent test audience screenings drew substantially better reactions. Star Mary Elizabeth Mastrantonio publicly expressed regret about some of the scenes selected for removal from the film's theatrical cut: "There were some beautiful scenes that were taken out.

I just wish we hadn't shot so much that isn't in the film. Shortly after the film's premiere, Cameron and video editor Ed Marsh created a longer video cut of The Abyss for their own use that incorporated dailies.

The CGI tools developed for Terminator 2: Judgment Day allowed ILM to complete the rumored tidal wave sequence, as well as correcting flaws in rendering for all their other work done for the film.

The tidal wave sequence had originally been designed by ILM as a physical effect, using a plastic wave, but Cameron was dissatisfied with the end result, and the sequence was scrapped.

Terminator 2: Judgment Day screenwriter and frequent Cameron collaborator William Wisher had a cameo in the scene as a reporter in Santa Monica who catches the first tidal wave on camera.

When it was discovered that original production sound recordings had been lost, new dialogue and foley were recorded, but since Kidd Brewer had died of a self-inflicted gunshot [45] before he could return to re-loop his dialog, producers and editors had to lift his original dialogue tracks from the remaining optical-sound prints of the dailies.

The Special Edition was therefore dedicated to his memory as a result. As Alan Silvestri was not available to compose new music for the restored scenes, Robert Garrett, who had composed temporary music for the film's initial cutting in , was chosen to create new music.

The Special Edition was completed in December , with 28 minutes added to the film, and saw a limited theatrical release in New York City and Los Angeles on February 26, , and expanded to key cities nationwide in the following weeks.

Both versions of the film continue to receive public exhibitions, including a screening of an original 35mm print of the theatrical cut on August 20, , in New York City.

In the pay cable channels Cinemax and HBO began broadcasting both versions of the film in p. Cameron gestured to the head of Fox Home Entertainment, implying the decision lay with the studio.

Cameron added, "We've done a wet-gate 4K scan of the original negative, and it's going to look insanely good. In March digital intermediate colourist Skip Kimball posted a photo to his Instagram suggesting that he was working on the film.

In November Cameron told Empire magazine that a Blu-ray transfer was "complete for my review" and he hoped it would be ready before Science-fiction author Orson Scott Card was hired to write a novelization of the film based on the screenplay and discussions with Cameron.

Card also wrote the aliens as a colonizing species which preferentially sought high-pressure deep-water worlds to build their ships as they traveled further into the galaxy their mothership was in orbit on the far side of the moon.

The NTIs' knowledge of neuroanatomy and nanoscale manipulation of biochemistry was responsible for many of the deus ex machina aspects of the film.

A licensed interactive fiction video game based on the script was being developed for Infocom by Bob Bates , but was cancelled when Infocom was shut down by its then-parent company Activision.

The game takes place a few years after the film, where the player must find a cure for a deadly virus. From Wikipedia, the free encyclopedia.

For other uses, see Abyss disambiguation. Theatrical release poster. Archived from the original on September 7, Retrieved September 6, British Board of Film Classification.

October 17, Archived from the original on March 17, Retrieved June 28, Box Office Mojo. Archived from the original on March 3, Lanham, Maryland: Scarecrow Press.

February 28, Report to the Office of Naval Research. Durham, North Carolina: Duke University.

Archived PDF from the original on September 24, Retrieved April 29, Sunday Mail. The Washington Times. The New York Times.

Archived from the original on October 27, Retrieved August 14, Archived from the original on May 28, Archived from the original on March 4, Entertainment Weekly.

Retrieved June 23, The 80s Movies Rewind. Archived from the original on October 17, Animators' Hall of Fame. Archived from the original on August 12, Retrieved June 14, April 27, Event occurs at Retrieved October 27, Retrieved February 2, The Globe and Mail.

Los Angeles Times. Retrieved April 7, The Numbers. Rotten Tomatoes. Archived from the original on July 5, Retrieved February 29, Archived from the original on May 1, Retrieved July 5, USA Today.

Washington Post. London, UK: HarperCollins. Rolling Stone. Die beiden Wasserfahrzeuge Flatbed und Cab One wurden extra für den Film von Can-Dive Services Limited hergestellt, einem kommerziellen kanadischen Tauchunternehmen, welches auf Tauchsysteme und Unterwassertechnologie spezialisiert ist.

Eine raffinierte Verwendung von Rückprojektion fand bei den Szenen mit dem Forschungs-U-Boot statt: Um diesen ihre Sterilität zu nehmen, wurden kleine Projektionsleinwände in die Miniatur-U-Boot-Modelle eingebaut, auf die mit einem ebenfalls eingebauten Miniprojektor zuvor aufgenommenes Filmmaterial der in einem Cockpitset sitzenden Darsteller geworfen wurde.

Bestehen die meisten Szenen des Films somit also aus — z. In dieser Schlüsselszene bildet sich im Hauptbecken der U-Bohrinsel ein stabiler Wasserkörper, der wurmartig dem Wasser entsteigt, die Station von innen erforscht und dabei sogar die Form der Gesichter von mehreren Crew-Mitgliedern annimmt.

Unter der Leitung von Dennis Muren entstanden dabei mehrere computergenerierte Aufnahmen, die für die damalige Zeit absoluten Durchbruchcharakter hatten.

Das Gesamtergebnis geriet dabei so überzeugend, dass The Abyss mit dem Oscar für die Besten Spezialeffekte ausgezeichnet wurde. Bei der revidierten, längeren Special Edition des Filmes aus dem Jahre wurde das Finale des Films noch um einige Szenen erweitert, die erneut Spezialeffekte erforderten.

Es galt dabei, das Herannahen riesiger Wellen an amerikanische Strände glaubhaft darzustellen. Mithilfe des Rückprojektionsverfahrens konnten dabei auch wacklige Live-Fernseh-Bilder fingiert werden.

Bekanntlich wissen die Menschen bislang vom Meeresboden noch weniger als vom Mars : James Cameron nahm die Herausforderung an.

Wie dort hält Cameron auch hier opulente Mechanik und menschliche Tragödien gekonnt in Einklang — mit dem Traum vom Eintritt in eine neue Dimension.

Duffy : Bauarbeiter Michael Chapman : Dr. Filme von James Cameron. Namensräume Artikel Diskussion. Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte.

Hauptseite Themenportale Zufälliger Artikel. Deutscher Titel. Abyss — Abgrund des Todes. The Abyss. Vereinigte Staaten.

Negativ fällt hingegen Michael Biehn HavocGrindhouse auf, der ein wenig zu sehr chargiert - hier wäre weniger mal wieder mehr gewesen. Es galt dabei, das Herannahen riesiger Wellen an amerikanische Strände glaubhaft Abyss Film. John Bedford Lloyd. Mit den russischen Streitkräften unterwegs zum versunkenen U-Boot und einem Hurrikan im Anmarsch bleibt den Amerikanern nicht viel Zeit, um die Lage unter Kontrolle zu bringen. Kobbis Filmtagebuch von kobbi Jetzt anmelden. Trotzdem here er mühelos in die Rolle des Raubeins mit Herz, während man angesichts der resoluten Performance von Mary Elizabeth Mastrantonio ScarfaceRobin Hood - König der Diebe bedauert, nicht öfter die Chance gehabt zu haben, sie auf der Leinwand zu sehen. Aliens - Die Rückkehr. Die Unterwasserwesen beenden den Sturm und lassen read article riesige Plattform zur Oberfläche aufsteigen, die die Benthic Explorer und fünf weitere Schiffe mit anhebt. The movie is screaming out for a Blu-Ray version, but I suppose with Cameron busy with his Avatar movies, he's just not had the time to reproduce The Abyss for​. Entdecke die Filmstarts Kritik zu "Abyss - Abgrund des Todes" von James Cameron: „Cameron may have fashioned his film out of familiar parts, but he's put them. Abyss – Abgrund des Todes: Sendetermine · Streams · DVDs · Cast & Crew. 'The Abyss' ist ein amerikanischer Science Fiction-Film von James Cameron mit Mary Elizabeth Mastrantonio und Ed Harris aus dem Jahr Ein. Abyss - Abgrund des Todes. The Abyss. USA, ThrillerAbenteuer. Ein Nuklear-U-Boot liegt havariert in unzugänglicher Tiefe, während an der.

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2 Bundesliga Im Free Tv Heute Wells war übrigens der Erste, der ausgerechnet in der In the Abyss betitelten Kurzgeschichte auf die Existenz unterseeischer Aliens verwies. Möchtest Du weitere Kritiken ansehen? Duffy : Bauarbeiter Michael Chapman : Dr. John Bedford Lloyd. Melde dich go here, um einen Kommentar zu schreiben. Filme wie Abyss.
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