Broadchurch Serie

Broadchurch Serie Filmhandlung und Hintergrund

Der elfjährige Junge Danny Latimer wird eines Tages tot unter den Klippen des südenglischen Küstenstädtchens Broadchurch aufgefunden. Das Verbrechen erschüttert die gesamte Gemeinschaft, woraufhin Detective Sergeant Ellie Miller und Detective. Broadchurch (in der Schweiz: Broadchurch – Ein Dorf unter Verdacht) ist eine britische Krimi-Drama-Serie des Senders ITV. Sie wurde entwickelt von Chris. Alles in Allem kann ich die Serie weiter empfehlen für Fans britischer Krimiserien. wolko am Uuuuuuunheimlich in die Länge gezogen und. Broadchurch ist eine britische Krimi-Drama-Serie aus dem Hause ITV. Die Handlung dreht sich um einen kleinen Jungen, der ermordet wird. Daraufhin droht di. Serie ansehen. Britische Krimi- und Mysteryserie mit „Doctor Who“-Star David Tennant. Folgen. Broadchurch.

Broadchurch Serie

Serienkritik: Die britische Krimiserie “Broadchurch” () wendet für ihre erste Staffel einen guten Kniff an. Bis zur finalen Enthüllung. Danny, der elfjährige Sohn des Klempners, wird nahe des Dorfes Broadchurch tot am Strand gefunden. Der Junge wurde ermordet. Während der in die Provinz​. Broadchurch ist eine britische Dramaserie mit David Tennant als Detective Inspector Alec Hardy und Olivia Colman als Detective Sergeant Ellie. Broadchurch Serie Nu wacht de achterblijvers een emotionele en langslepende rechtszaak. Anna Palmer 1 episode, Roger Ringrose Click wanted the final episode of Source to be different than the typical murder-mystery series. Laura Benson 3 episodes, Simon Rouse Lindsay Lucas 6 episodes, Jacob Anderson

Archived from the original on 29 November Gloucestershire Citizen. Archived from the original on 15 December Reap Magazine. Huddersfield Daily Examiner.

San Francisco Chronicle. BBC America. August Wales Online. North Somerset Times. Archived from the original on 11 December Bristol Post.

Retrieved 17 November Waterloo Film Studios. RichardStokes7 at Twitter. The Times. Film Music Reporter. Iceland Magazine. Mercury Classics.

April Retrieved 13 July Retrieved 21 March Retrieved 3 May Watch Movies. Retrieved 4 March London Evening Standard.

Philadelphia Inquirer. Retrieved 22 April The Daily Mirror. Retrieved 25 July Associated Press. Archived from the original on 30 October Retrieved 30 October Daily Mirror.

Retrieved 27 August Reading Post. Retrieved 24 July Bournemouth Echo. Retrieved 24 October Dorset Echo.

Retrieved 6 August Digital Spy. Retrieved 11 December Retrieved 25 October Retrieved 20 September A hidden clue could reveal all Retrieved 19 December The Daily Star.

The Bristol Post. Archived from the original on 3 September Bridport and Lyme Regis News. The Dorset Echo. Bridport News.

Retrieved 13 October Retrieved 13 June Retrieved 8 October North Devon Journal. Exeter Express and Echo. Retrieved 29 September The Daily Telegraph.

Retrieved 16 November Retrieved 4 January Retrieved 7 January Retrieved 20 December Retrieved 3 December ITV Drama.

Retrieved 23 February — via Facebook. Loose Ends. Radio 4. Retrieved 28 December The New York Times. Retrieved 28 March BBC News.

Retrieved 6 January The Guardian. Retrieved 13 January Error: please try again. Detective Ellie Miller returns from holiday to find that her promotion to inspector was given to an outsider, named Alec Hardy, and that the son of her close friend has supposedly committed suicide.

S1, Ep2. S1, Ep3. The discovery of the murder scene leads Hardy and Miller to arrest a startling suspect in Danny's murder.

S1, Ep4. The aftershocks of Danny's murder continue to ripple through the town, as friends and neighbors' lives come under scrutiny.

S1, Ep5. As Hardy and Ellie come under fire, the people of Broadchurch start to turn against each other.

S1, Ep6. The production went to some length to keep actor Matthew Gravelle 's return a secret as well. His character, Joe Miller, confessed to the crime of murder at the end of series one, and there appeared to be no reason for Joe to return in series two.

But Chibnall planned to bring Joe back, and include a major plot twist involving him. As late as January 5, his participation in series two remained unconfirmed.

ITV held no preview screenings of series two with the press. Press outlets confirmed in March that at least part of the second series would still take place in the fictional town of Broadchurch.

The secrecy campaign extended to the soundtrack as well. To prevent hackers from breaking into the computer servers used to store and transmit the music and sound effects to the UK, his studio servers were upgraded using the latest encryption technology and software.

The secrecy campaign was criticised by reporter Susanna Lazarus of Radio Times. While generally decrying the over-use of plot highlights and one-liners in film and television marketing, she argued that there was nonetheless a role for spoilers so that audiences could decide which shows to watch among the wide array of media choices.

There was a "thin line", she said, between too much and too little information, but she asked the producers of Broadchurch to walk it.

Much of Broadchurch series two was shot on location. Chibnall felt location shooting was critical to the mood and tone of series two, much as it was for series one.

While many crime dramas are shot in gritty, urban locations, Chibnall believed that the bucolic Jurassic Coast setting signalled to viewers that Broadchurch was not a typical detective programme.

But the producers felt none of the locations could replicate the look of the Jurassic Coast, and the quality of the light in each area was different from that in Dorset.

Filming began in late May , with the first cast read-through occurring on 22 May. Shooting primarily occurred in the counties of Berkshire , [37] Devon , Dorset , and Somerset.

David Tennant took a break from filming the second series to shoot episodes of Broadchurch 's American remake, Gracepoint. He returned to the Broadchurch series two production about 15 September Severe weather and recent rockslides left the cliffs unstable, and a Coastguard volunteer said the production team should have used stakes, safety lines, harnesses, and helmets.

A spokesperson for the Broadchurch production defended the film crew, noting that the production team received all necessary filming permits, visited the site numerous times to ensure safety, and took other reasonable health and safety precautions.

Filming for series two of Broadchurch concluded just before midnight on 12 October Each episode of series two took about two and a half weeks to shoot.

Unlike the first series, series two contained a great deal of studio filming. Chibnall said this was because of the changed nature of the story, and he said that nearly all the major story moments in the second series occurred on a stage.

Some sets were built at Longcross Studios in Longcross , Surrey , where art director John West built a very large set.

Two weeks were spent location filming at Britbank, the blue chalet in West Bay which doubled as Alec Hardy's new home in series two.

The casting of Rampling led to apprehension among many series two cast members, who were intimidated by her. But Chris Chibnall said that Rampling's humour she's "a proper giggler" alleviated this immediately.

Chibnall had particular praise for Olivia Colman's performance. She can do anything I throw at her — she's a writer's dream.

Actor Matthew Gravelle took his role as the alleged murderer and possible paedophile Joe Miller very seriously. You try to be as true to somebody who might actually be like that as possible," Gravelle said.

He found there was little scientific research in the area. It's probably an ego thing. He's not working. It's a self-worth issue. Joe Miller, he said, sought spiritual relief in both series one and two out of a desperate bid to feel better about himself and his crime.

His not-guilty plea in series two, Gravelle felt, was also motivated by desperation rather than a months-long plan to expose the town's secrets.

In the first series, musical themes could be identified for each character. As the music played, a viewer could anticipate what that character would do.

Special musical clues even helped identify Joe Miller as Danny Latimer's murderer. But in series two, the music represents the town of Broadchurch as a whole.

Like the best music, it's unobtrusive and doesn't tell you what you should be feeling. The post-production process was a lengthy one.

Actress Jodie Whittaker said that the cast would not be able to preview their performances before they aired on ITV in January.

Audio post-production was overseen by Sonorous, a company founded in by Howard Bargroff. Sound mixing was done using PMC Ltd. A fourth series two trailer was released on 11 December, with ITV announcing a series two air date of 5 January The network did not disclose the retweet goals it established.

ITV executive creative director Tony Pipes said the goal was to generate online buzz about series two. Other marketing efforts included an ' above the line ' online advertising campaign.

This consisted primarily of a linear advertising campaign. Another marketing component involved the publication of short stories after each episode airs.

Chibnall was so enthused by author Erin Kelly's novelisation of Broadchurch series one that ITV contracted with her to write a short story to accompany each episode.

The short stories, each to be published individually as an e-book , focus on a single character from series two. The premiere of Broadchurch series two met with a highly positive critical reception.

When questioning whether the series would be able to retain the quality of the previous series, reviewer Ellen E. Jones stated, "On the evidence of last night's twist-packed opener, perhaps even more so".

They closed their review by stating "Broadchurch continues to be a rich and complex tapestry which respects the viewer's intelligence and commands you to become an armchair detective".

He also stated, "With an extraordinary ensemble cast that churns the narrative like waves in a harbour, Broadchurch will this time free us with nothing but the truth".

They also praised Tennant and Colman's performances, saying "the pleasure comes from Tennant and Colman's scenes together, forcing them together, each on the edge of disintegration".

Episodes two and three did not fare as well, critically. Discussing the second episode, Michael Hogan in The Daily Telegraph found the quickened pace invigorating, and found the story gripping.

There's so much going on that it's starting to feel unbelievable. He also called Marianne Jean-Baptiste's performance "lacking". Broadchurch always looks fabulously bucolic but tonight the lovely summer dawns and countryside was shown off to an even greater degree Episodes four, five and six received more positive reviews.

The Guardian said episode five was better than its predecessor, saying "everything felt a little less crammed in. Decisions have been made, revelations have come to light and Broadchurch remains as gripping and as fascinating as ever".

Episode seven also received positive reviews. Episode eight ended the series with a generally positive critical reception, with many praising the performances of Tennant and Colman.

Radio Times praised Tennant's performance, saying that "the episode belonged to [him]". They also heavily praised the ending to the Joe Miller case, labeling the resolution "brilliant" and claiming "Yes, he got off, but writer Chris Chibnall and his fabulous cast fashioned a quite brilliant climax where justice of a sort was done".

Reflecting the inequality and injustices of everyday life, Chibnall's choices for the finale were thoughtful, saddening and even worrying.

A brave move, just as the entire two series have been". They also praised Tennant's performance, they said "It's a cracking performance from the actor who delves deep to deliver some fiery moments but also, having solved the Sandbrook case, his own breakdown at the station - as he sits alone and cries - is touching and deserved".

National news media also identified a phenomenon known as the " Broadchurch effect", a surge of interest in real estate and tourism in areas where Broadchurch was filmed.

After the debut of series two, The Independent reported that major Web search engines saw a percent increase in searches for Dorset and Somerset.

Searches for holidays in Dorset rose 50 percent, according to a study by the hotel booking web site Hotels.

The premiere episode of series two drew an average of 7. The episode opened with just 6. Broadchurch was the second-most-watched programme of the evening, with the most-watched being Coronation Street which had a peak audience of 8.

Viewership dropped significantly for the second episode, to just 6. It was still good enough to win its timeslot, however. However, the series won its timeslot, beating Silent Witness.

From Wikipedia, the free encyclopedia. See also: List of Broadchurch episodes. According to Olivia Colman, the decision to shoot on soundstages near London was done to benefit those cast members whose families lived in the city.

Nearfield listening reduces echo, and reduces the impact which poor room acoustics may have on sound. This kind of advertising treats all consumers as the same, and does not seek to target subsegments of the population.

Linear advertising does not change if it recurs. The Daily Mirror. Retrieved 3 December Radio Times. Retrieved 18 December The Independent.

Retrieved 22 April Retrieved 5 January Retrieved 4 January The Guardian. Retrieved 20 December Broadcast Now. Retrieved 10 November Retrieved 23 April Retrieved 24 November Nottingham Post.

Archived from the original on 4 January Digital Spy. Retrieved 6 December Here Are Extra Scenes". BBC America.

Retrieved 9 December The Dorset Echo. Retrieved 25 July Wales Online. Retrieved 11 December Associated Press. Archived from the original on 30 October Retrieved 30 October Western Daily Press.

Retrieved 27 August London Evening Standard. Your guide to series two - everything you need to know". A hidden clue could reveal all

Hardy ist an Ricky interessiert. Shaun Link. Broadchurch - staffel visit web page Trailer 2 OV. Ein Fehler ist aufgetreten. Chris Chibnall. David See more. Simone McAullay. Alle Serien auf Serienjunkies. Jodie Whittaker. Dein Passwort wurde erfolgreich geändert.

Broadchurch Serie - Inhalt & Info

In: synchronkartei. Die ultimative Übersicht: Ist für deine Lieblingsserie jetzt Schluss oder hast du noch mal Glück gehabt? Sie setzt mit dem Gerichtsprozess gegen den Tatverdächtigen ein, eine dritte Staffel ist angekündigt. Doreen Matthei. Broadchurch ist eine britische Dramaserie mit David Tennant als Detective Inspector Alec Hardy und Olivia Colman als Detective Sergeant Ellie. Broadchurch ist eine Serie von Chris Chibnall mit David Tennant (Alec Hardy), Olivia Colman (Ellie Miller). Finde hier alle Informationen zur 3 Staffeln und Serien; Broadchurch. Der letzte Fall. In der britischen Krimi-Serie Broadchurch III ermitteln DI Alec Hardy. Danny, der elfjährige Sohn des Klempners, wird nahe des Dorfes Broadchurch tot am Strand gefunden. Der Junge wurde ermordet. Während der in die Provinz​. Ein Verbrechen auf dem Land verändert das Dasein aller: Die englische Serie „​Broadchurch“ handelt auf meisterhafte Weise von der Enge und. Erscheinungsjahr: November abgeschlossen. April ausgestrahlt. Selten dürfte click ein Film die gottverlassene Stimmung so berührend und Endstation ohne jeden Anflug von Kitsch gezeigt haben, die sich ausbreitet, wenn einer Familie das Schlimmste geschieht. Broadchurch - staffel 3 Trailer 2 Think Netflix Zombie Serie you. Trending: Meist diskutierte Serien. All diesen Go here fühlt die Serie realitätsnah auf den Zahn. Https:// anzeigen Bilder anzeigen. Adam Wilson. Broadchurch - staffel 3 Trailer DF. Hardy article source to stage a reconstruction, but Ellie is unhappy about his suggestion that Tom take part in it. Broadcasters' Audience Research Board. Filming the scene in which DS Miller confronts her murderous husband required some special care. Partial lyrics to "So Close", which contain clues to the identity of Danny Latimer's murderer. Some of them are able to deal with that and Rb Tv Sendeplan from that and build something from it; for some people it means they're destroyed by that so I wanted to look basically at Broadchurch Serie whole Pfote 2 of characters affected by this one devastating event and the different effects it had on people, so it really made sense of that and played straight into that central idea. Edit Broadchurch — His lone concession to click structure was driven by the need to insert click commercial break every 11 to 12 minutes. Western Daily Press. Yes No Report .

S1, Ep2. S1, Ep3. The discovery of the murder scene leads Hardy and Miller to arrest a startling suspect in Danny's murder.

S1, Ep4. The aftershocks of Danny's murder continue to ripple through the town, as friends and neighbors' lives come under scrutiny.

S1, Ep5. As Hardy and Ellie come under fire, the people of Broadchurch start to turn against each other. S1, Ep6. The town of Broadchurch comes together to mourn.

In doing so, a new suspect in the murder of Danny Latimer comes to light. S1, Ep7. Hardy knows his time is running out to solve Danny's murder - will the discovery of a vital clue finally unlock the case?

S1, Ep8. Shock, rather than relief, takes hold of Broadchurch as Hardy finally discovers who murdered Danny Latimer. See also TV Schedule.

Other roles were cast using auditions. Principal photography began on 13 August in Dorset. Most scenes were shot on location, with the majority of filming in and around Clevedon and West Bay.

Soundstages were used for some interior scenes. Dialogue rarely departed from the scripts, but other aspects of the performances were improvised.

A documentary visual style and an emphasis on first takes were used to heighten the realism of the series and acting.

Few of the crew and none of the actors knew the identity of the murderer when filming began. A number of steps were taken to maintain this secret.

Only those cast and crew with an absolute need to know were told the identity of the murderer once filming began on the final three episodes.

Broadchurch series one received widespread critical acclaim and high viewership ratings. The final episode of series one finished with a caption reading "Broadchurch Will Return".

ITV executives confirmed that a second series of Broadchurch had been commissioned, with production to begin in Following episode eight, an extra scene was released on YouTube depicting Danny's wake, held the afternoon after the funeral but before the evening when the beacons were lit.

Nigel and Mark were shown reconciled, Olly turned down a job at the Herald , and Hardy spoke to Karen about why he alerted her to Joe's arrest.

The video ended with the words " Broadchurch will return". Broadchurch creator and writer Chris Chibnall described the project as a labour of love.

The location for the series was partly inspired by the Jurassic Coast in Dorset , where Chibnall lived. From to , Chibnall had spent most of his time travelling about the U.

Setting the show in Dorset meant Chibnall would not have to spend time away from his home and family. Chibnall's decision to set the show on the Jurassic Coast also helped him generate more ideas for the show and tighten the writing.

Thomas Hardy's use of the term " Wessex " was used as the name of the fictional Wessex Police, [10] [12] and character Jack Marshall reads the Hardy novel Jude the Obscure.

Even the title of the series came from the Dorset setting. Chibnall invented the name "Broadchurch" based on two towns in Dorset: "I thought a lot about the literary heritage of this county.

Chris Chibnall, "'Broadchurch' postmortem: Creator Chris Chibnall on the killer, key scenes, and keeping the secret", Entertainment Weekly , 25 September Chibnall wrote the script for Broadchurch on spec after his work on Camelot ended.

The first series had to be self-contained, he felt, in case the show did not do well in the ratings and a second series was not commissioned.

Chibnall was adamant that Broadchurch not be a " whodunit ". His concept was to show how a murder "makes victims of the whole community in all sorts of different ways.

Some of them are able to deal with that and recover from that and build something from it; for some people it means they're destroyed by that so I wanted to look basically at a whole set of characters affected by this one devastating event and the different effects it had on people, so it really made sense of that and played straight into that central idea.

Chibnall was assisted in the story process by his good friends Sam Hoyle a television script executive [10] [12] and television director James Strong.

Eglee , and Channing Gibson. The story was nearly finished on the whiteboards when Chibnall began writing the script.

Ellie Miller was a lesbian in the first draft of the script, and there was no Joe Miller. But he felt that this did not work well narratively, so he changed the character to a married heterosexual.

I've never had it before, probably won't ever have it again. I was, like, 'Ohmygod, it's Joe. It can't be anyone else. He then redrafted the first script and re-plotted and re-outlined the series.

Despite his confidence that he had the right solution to the murder mystery, Chibnall said that minutes before episode eight was to air in April , he called executive producer Jane Featherstone and told her that he had got the ending completely wrong, before changing his mind twenty minutes later.

Chris Chibnall, "Broadchurch: the perfect TV murder? There were three key elements in the writing process. First, Chibnall largely ignored traditional concepts about narrative structure when writing the teleplay.

Instead, he focused on how the murder affected each character, and let each character's responses drive the story.

His lone concession to narrative structure was driven by the need to insert a commercial break every 11 to 12 minutes. He chose to insert a surprising or shocking moment just before each break to encourage viewers to keep watching.

Having lived in the small Dorset town of Bridport , Chibnall saw how local newspapers had a major impact on their communities despite the prominence of new media such as the Internet.

He created a fictional local newspaper, the Broadchurch Echo , and made it not only an element of the story revealing information to which characters react but also a character in the story itself, motivated by the people who work there.

Third, Chibnall planned for a visual rather than dialogue-driven finale. Chibnall wanted the final episode of Broadchurch to be different than the typical murder-mystery series.

He observed that most finales saved major revelations until the final minutes of the final episode.

He felt this led to poor writing, with loose plot threads "hastily" tied up and no way for the audience to adjust emotionally to the new information.

Chibnall decided his " reveal " would occur early in the final episode, and more time would be given to depicting the impact of the reveal on the characters.

Chibnall wanted his reveal to be visual and highly cinematic, and for time to slow down during the reveal to heighten the audience's tension.

This, he felt, would help the audience feel as if they were actually part of the drama, as if they were really experiencing these events themselves.

Only the first few episodes of Broadchurch series one were written before filming began. Chibnall waited until casting was complete and he saw the actors performing their roles.

The later scripts were then shaped to take advantage of these performances. Chibnall initially considered pitching Broadchurch to the pay-TV channel Sky Atlantic , but thought his project was good enough to sell to ITV, the biggest and most popular commercial television channel in the United Kingdom.

Just days after she finished reading the scripts, she suggested Chibnall work with Kudos Film and Television, a well-known production company.

That gave Broadchurch a much shorter pre-production schedule than usual. According to Chibnall, ITV advised him to make the series as bold as possible and to ignore commercial considerations.

But both men rejected the idea. Fincham was keen to allow speculation to build over time, and to give viewers a chance to engage in conversation about each episode before the next one aired.

Pre-production began almost immediately after Broadchurch was given the green light. Heads for each department of the production— cinematography and lighting , editing , casting , make-up and hair , costuming , locations , administration, sound , etc.

Test footage was shot and screened for ITV executives at a pre-shoot meeting, so they could see more clearly what the series' mood and style would be like.

Additional funds were sought from international partners, who were given distribution rights in their territories in return.

That was absolutely my shameless aim, to go, 'Okay, you have to look at our poster and feel that's going to give Downton a run for its money.

The casting directors also read all the finished scripts, met with location scouts to see photographs of the anticipated location shoots, and had long discussions with various production department heads to gather as much information as possible so they could choose the right performers to audition.

The production team refused to consider egotistical, obnoxious, vain, temperamental, or arrogant actors for roles, as they felt it made it difficult for both cast and crew to do their best work.

The role of Reverend Paul Coates was written with actor Arthur Darvill in mind, and was the first role cast.

Only later did Chibnall tell Darvill that the role was that of a young Anglican priest struggling with alcoholism.

Darvill says that, as Chibnall wrote the scripts, he would call Darvill and tell him what he was thinking of doing with the character of Coates.

Chibnall's writing of the character was, in a way, collaborative: "We talked a lot about the role of a vicar in a community like that and what are the implications of the circumstances that the town is put in," said Darvill, "and what that means for someone in that position and certainly the responsibility of having to be a spiritual guide, a point of comfort, a figurehead, especially being quite young.

Darvill was also intrigued by the way Coates struggled to avoid letting his ego come into play once he became a spokesperson for the community, and the way Coates reacted when he became a police suspect.

The role of DS Ellie Miller was the second role cast. And I liked Ellie. I find it hard to play a character if I can't feel any of me in them.

Especially if you are going to be playing that person through the whole series you need to feel that connection.

The role of DI Alec Hardy was the third role cast. Once more, there was consensus among the producers to offer the part without the need for an audition.

He agreed to take the role for several reasons, even though he knew an incomplete script was a professional gamble. First, he was deeply impressed with the writing.

Second, he had worked with Chibnall and Strong who had agreed to be the show's primary director before and was keen to work with them again.

Third, he learned that Olivia Colman had agreed to play DS Miller, and working with her was very appealing.

All the remaining roles were cast around Colman and Tennant. Actor Andrew Buchan was attracted to the role of Mark Latimer by the authentic quality of the part.

The way Chibnall showed how the community is affected by the murder, the newly unsettled relationships between the characters, and the disintegration of the bonds between people who once trusted one another also deeply attracted him to the project.

His audition scene was where Mark Latimer must identify the body of his son in the Broadchurch morgue. To win the role, he worked himself up intensely and cried profusely.

The role of Karen White was the other part cast early in the process. Actress Vicky McClure admitted, "It was quite a difficult role to take on and I had to think quite carefully about it.

Jodie Whittaker was cast as Beth Latimer, the mother of the murdered boy. She was hired after Buchan and McClure joined the series.

Her audition consisted of several scenes from the first episode. Whittaker admitted that she was very nervous about accepting a role in a series whose scripts had not yet been completed.

Chris Chibnall, however, told her that none of the actors would know who the murderer was not even the actor who played the killer until the last possible moment.

She found that highly appealing, for it raised the anxiety level in the actors and reduced each actor's willingness to trust the other characters.

She was also impressed by the heart-breaking way the first episode was written, and how many interesting characters there were in the series.

Sims says he was hired relatively early in the casting process. Broadchurch appealed to him because he had seen the television film United , which had been written by Chris Chibnall and directed by James Strong.

He loved their work, and very much wanted to be part of their next project. He got the chance to audition because he had met Sam Hoyle socially some years before, and this connection—along with heavy lobbying by his agents—won him a meeting with director Strong and casting directors Hendry and Jenkins.

Sims admits that he was very nervous in his first audition, and auditioned several more times before getting the part.

He believes his auditions improved each time, as he learned more about the plot at each audition which involved reading new scenes.

Gravelle auditioned along with many other actors for the role, but Chibnall says that the casting team early on considered Gravelle their top choice for the role.

Whoever they hired to play Joe Miller would need to step up their acting game significantly in the final episode, so they researched Gravelle's past acting roles and watched as many of his performances as they could find.

Chibnall paid particularly close attention to the Welsh language television series Teulu , in which Gravelle had recently played a lead role.

Chibnall had long envisioned Becca as an Australian, which made her an outsider in the Broadchurch community.

He also relied on the common assumption that Australians often seem bolder than most British, which gave the character licence to say things others might not.

McAullay received the first two scripts from her agent, and a short written sketch of the Dorset setting. She videotaped an audition at her home in Sydney , and sent it to Chibnall.

Thirty-six-year-old actor Will Mellor was cast as telephone installer and alleged psychic Steve Connolly.

Chibnall had written the Connolly character to be in his 50s. Mellor, however, auditioned for the role even though he was not the right age.

He was cast, says Chibnall, because "Will came in and read and just blew it out the water. And it was just, well, you have to give the part to him because he's redefined it!

Pauline Quirke was cast as secretive caravan resident Susan Wright. Chibnall had long been deeply impressed with her performance on the television series The Sculptress , and he wrote the role of Susan Wright with Quirke in mind, although the role was not written specifically for her.

Her audition, like that of others, used scenes from the first two episodes. Chibnall says that the producers worried that such a big star might not wish to do justice to such small role, but found that Quirke delivered a superb performance.

Casting for Broadchurch was complete in late June , and casting choices announced on 2 July James Strong directed five episodes of series one of Broadchurch , while Euros Lyn directed three.

Most of Broadchurch series one was shot on location, which the producers felt would heighten the reality and intimacy of the series.

It is a lovely, beautiful place where something terrible has happened. To achieve this, locations were chosen which would allow the characters to bring their private behaviors outside.

A third element of the visual style was to use the change in seasons to help illuminate the way the emotional tenor of the drama changes during the series.

Not all shooting was done on location. These green screen shots were filmed at Waterloo Film Studios in London. Broadchurch was shot in order.

Very few scripted television programs are filmed in the order episodes are seen on the air. It is far more common to shoot out-of-order. Usually, scripts are broken down into their component scenes and shots.

Scenes using the same locations or sets are shot at the same time, to minimise the time and expense of moving cameras and equipment.

Weather proved to be a hindrance to the production, and sometimes delayed shooting. Luckily, the sun shone during the first week of September , which was also the first week of location shooting.

But skies were partly or completely overcast for the remainder of the shoot. Additional location shooting occurred the last week of October and first week of November.

The weather turned much colder, with heavy rain and gale -force winds these two weeks. Location shooting atop Harbour Cliff was scheduled for the first few days of November, but the weather created such safety concerns that this had to be cancelled.

The production moved to Clevedon, and the clifftop filming was rescheduled for a few days later. Luckily, the weather had cleared by then.

The first read-through for Broadchurch series one occurred on Tuesday, 7 August This was a choice made by the actors. Olivia Colman said, "[Chibnall wrote] it so beautifully, so completely and utterly beautifully, that I would have felt faintly ridiculous approaching him and saying, 'Can I change it?

The script laid out how characters were to move and behave, but the actors themselves chose how to bring these directions to life.

For example, when Alec Hardy tells Ellie Miller that her husband is the murderer, the script called for Hardy to come round to Miller's side of the table and for Miller to vomit after the revelation.

David Tennant was allowed to improvise how he came round the table and whether he sat or stood. Olivia Colman improvised the portrayal of nausea by rising, crouching, turning to the wall, and vomiting.

But he felt this spontaneity freed the cast and permitted them to deliver far more intense performances.

Subsequently, most of what the viewer sees in Broadchurch series one are first takes. Actor Matthew Gravelle took his role as murderer and possible paedophile Joe Miller very seriously.

You try to be as true to somebody who might actually be like that as possible," Gravelle said. He found there was little scientific research in the area.

It's probably an ego thing. He's not working. It's a self-worth issue. Filming the scene in which DS Miller confronts her murderous husband required some special care.

The scene had been suggested by Olivia Colman. During her first meeting with Chibnall and Featherstone to discuss her character, she asked, "I just want to know, do we get him [the killer] and do I get to kick him in the balls?

The scene called for Colman to attack Gravelle, who would fall to the ground and allow Colman to kick him in the back.

Gravelle's back was fitted with safety padding, but Colman's performance was so intense that she kicked him too hard and Gravelle was bruised for three weeks.

Director of photography Matt Gray said he approached Broadchurch as if it were a documentary film , rather than a television drama.

Their goal was to depict the physical landscape in a way that differed visually from the emotions they were trying to depict. To do this, fixed television cameras were used to photograph the geographical landscape beaches, cliffs, the estate field behind the Latimer house, etc.

A Steadicam or hand-held camera was used when the episode needed to depict the emotional relationships between people.

This allowed the cinematographer to get very close to the actors without interfering with their performances.

Although Gray's cinematography was not nominated for a BAFTA Craft Award , it won high praise from Mike Hale in The New York Times , who said "the cinematography of Matt Gray, whose shots from every possible angle of the dramatic cliffs behind the Broadchurch beach[,] are essential to the show's ambience.

Broadchurch series one was "wonderfully shot by cinematographer Matt Gray, who seems to make the oceanside backdrop only more beautiful as the characters in front of it fall apart.

Visual clues to the killer's identity were given throughout the series. In the first episode, Mark Latimer walks along the Broadchurch High Street on his way to work in the morning.

Viewers could thus see Joe with his arm around Tom's neck, "strangling" him. The slug in the Miller household, first seen in episode two, is meant to indicate that there is something wrong the Miller family.

The producers and director James Strong paid particular attention to the visual style of the reveal.

Chibnall wanted to expose the murderer's identity visually and dynamically, not through dialogue in a static scene on a set.

As they crossed a footbridge over the Land Yeo , Chibnall—struck by the scenery of the area—realised that a single, uncut point of view shot of DI Hardy walking through the Miller house, through the garden, and into the garden shed was the way to reveal the killer's identity.

Chibnall and Strong decided that the shot in the first episode of Mark Latimer walking through the Broadchurch High Street should mimic this reveal shot in the eighth episode.

Costumes for Broadchurch were designed by freelance costume designer Ray Holman. Holman worked with the actors portraying major characters to ensure that the costumes fit the character.

He spent hours discussing the characters with the actors, and sometimes took the actors shopping or to costume suppliers to find the right look.

Holman crafted the "old and saggy" look of Alec Hardy's character to reflect the fact that Hardy "didn't really care what he wore. Holman also designed Ellie Miller's "unflattering grey work suit".

Having been a uniformed police officer, she had worked her way up in the ranks but still retained an unconscious desire to appear in uniform.

The grey trouser suit was critical to that look. There was disagreement about it, but Holman said he insisted on the red dress.

Principal photography on Broadchurch series one concluded on Tuesday, 4 December Chibnall was determined to ensure that the identity of the killer did not leak until the final episode aired.

One reason for the secrecy was obviously commercial, for it kept viewers watching. But Chibnall also believed it would enhance the acting.

And also what I wanted was for every performer to slightly suspect their character, and to really think about that, and to suspect each other.

So what you get is ambiguity, and what it also means is that any of the performer or performers who are responsible for what happened aren't flagging it or signaling it in any way whatsoever.

Chibnall also discussed secrecy issues with directors James Strong and Euros Lyn, and they both agreed to its necessity before coming aboard the project.

As roles were cast, Chibnall also explained to each actor that the killer's identity would be kept from them until near the end of the production.

Several means were employed to maintain secrecy. All scripts contained a watermark that ensured they could not be photocopied, and copies of scripts used on the set were kept in a safe.

In part, secrecy was also maintained by the way scripts were written. Performers were given the first two scripts at the start of principal photography, but additional scripts were written only after Chibnall had observed the actors bringing their characters to life.

Olivia Colman was the first cast member to learn the killer's identity—having been informed during her first meeting with the producers.

Colman told Radio Times that she asked who the killer was, and was told. An hour later, she was told that the killer's identity would remain a secret and that she should not tell anyone.

Somehow, David Tennant's agent learned that Colman knew the murderer's identity, and told David Tennant midway through the production that Colman knew.

Tennant did not believe it. Colman later said that Tennant was angry at learning the truth. Actor Matthew Gravelle who played murderer Joe Miller was the second cast member to learn the killer's identity.

Chibnall called to tell him two weeks before the final three scripts filmed. Although she was not told the murderer's identity, actress Jodie Whittaker was informed that it was not her character a short while before the release of the episode eight script.

Whittaker approached Chibnall and said she feared she was the killer. He later admitted it would have been "deceptive" to write the character of Beth Latimer as a powerfully grieving mother, only to have it revealed as a lie.

Oskar McNamara who played Danny Latimer was the third actor to be told who the murderer was. Danny Latimer's death is very violent, which required telling McNamara about the killer's identity several days in advance so that the actor could prepare and the scene could be choreographed and rehearsed.

McNamara's parents worked closely with director Strong to ensure their son's physical and emotional safety.

The mother of Adam Wilson who played Tom Miller was told the killer's identity several days before the release of the final three scripts.

She declined to tell her son who the murderer was. Wilson learned that his on-screen father was the killer just a few minutes before the scene was shot.

Wilson's surprise helped him portray the shock Tom Miller felt at his mother's revelation. After three months of production, the crew and key cast members were given the final three scripts the last of which revealed the murderer's identity over a single weekend.

Initially, Chibnall wanted to reveal the murderer's identity to the entire cast and crew at an all-hands meeting on the Harbour Cliffs Beach a few days before releasing the final three scripts.

A short film of completed footage had been edited together to show the cast and crew how the series was coming together.

The night before the meeting, the cast and crew filmed the "re-creation scene" where Tom Miller skateboards through Broadchurch in an attempt to jog people's memories.

I instinctively felt if we could get him, that would be amazing. The creators and directors gave me complete artistic freedom and encouraged me to be as bold as possible.

Which is what every artist wants to hear. He also researched sounds which might be heard in Dorset as a means of inspiration.

As with most of his music, he then improvised at the piano. He composed several themes, some for the series as a whole and some for specific characters.

He then shared them with Chibnall, and together they picked out the themes they liked best. Once he saw the completed footage for the first episode, he rearranged some themes to fit the imagery, and composed several new themes as well.

He had just four months to generate about 30 minutes of sound and music for each episode, spending one-and-a-half to two weeks on each episode.

Bathe my skin the darkness within, so close, the war of our lives no one can win The missing piece I yearn to find, so close, please clear the anguish from my mind So close But when the truth of you comes clear, so close, I wish my life I'd never come near.

Partial lyrics to "So Close", which contain clues to the identity of Danny Latimer's murderer. The music for Broadchurch deliberately avoided a typical orchestral score.

Music which was intimate and depicted the flawed lives of the characters was needed, so the score was written for a string quartet and piano, accompanied by electronic sound.

The musical soundtrack to Broadchurch series one includes four songs: "So Close" the only song to include lyrics , "Suspects", "Arcade", and "Broken".

Chris Chibnall contributed the lyrics, [61] which hold clues to the killer's identity. It was his first composition for television.

Mike Hale, writing in The New York Times , called it "a tasty icing of gloom and foreboding", and noted that the show leaned very heavily on the mood that the music created.

I had never heard a piece of music like it. I found it haunting, beautiful and desolate. It can make or break a show.

If you think about your reasons for watching The Killing , the music that swells at the end draws you into watching another one.

Visual post-production on Broadchurch series one was handled by the firm Deluxe The newly founded company Sonorous provided audio post-production.

Broadchurch was its first television project. Bargroff held meeting with the producers and post-production as every episode neared completion, and they jointly identified elements of the sound which were in good shape, and those which needed work.

Diese E-Mail-Adresse scheint nicht korrekt zu sein — sie muss ein beinhalten und eine existierende Domain Bella Tschau. Die Zuschauerzahlen für Folge 2. In: The New York Times In: Radio Times. Immer wieder geraten More info in TГјrkisch FГјr 2 Stream Verdacht, Danny Kinox ErlГ¶sung Stream zu haben. Ralph Macchio and William Zabka reprise their roles. Dafür benötigst du dein Ausweisdokument.

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