Drive (2011) Inhaltsangabe & Details
Der Stuntman `The Driver' gilt aufgrund seiner herausragenden Kenntnisse am Steuer als der perfekte Fluchtwagenfahrer. Der Einzelgänger legt keinen Wert auf soziale Kontakte oder zwischenmenschliche Bindungen. Doch das ändert sich, als er seine. Drive ist ein US-amerikanischer Thriller des dänischen Filmemachers Nicolas Winding Refn aus dem Jahr , der mit der Literaturverfilmung des. Drive. Am Tag schraubt der Typ (Gosling) in einer Autowerkstatt rum oder riskiert als Stuntdriver in Hollywood den Hals. Nachts verhilft er. („Drive“ directed by Nicolas Winding Refn, ). Der Driver (Ryan Gosling) ist von Beruf Stuntfahrer beim Film und arbeitet in der. In Drive versucht sich Ryan Gosling als wortkarger Fluchtwagenfahrer und Stuntman in LA. Für seine Nachbarin Carey Mulligan nimmt er es sogar mit der loka.
Drive ist ein US-amerikanischer Thriller des dänischen Filmemachers Nicolas Winding Refn aus dem Jahr , der mit der Literaturverfilmung des. Drive () - A collection of concept design by Alex Mau for "Drive," a feature film directed by Nicolas Winding Refn and starred Ryan Gosling, Carey Mulligan. Drive: Actionfilm/Kriminalfilm/Film noir/Gangsterfilm von John Palermo/Adam Siegel mit Bryan Cranston/Kaden Leos/Christian Cage.
Drive (2011) VideoThe Driver — A Real Hero (Drive Analysis) Und dann der source Teil, in dem er höchst gekonnt Schädel zertritt, mit Waffen hantiert und gezielt Personen um die Ecke bringt bzw. Danach rammt er die Limousine seitlich, sodass sich der Wagen überschlägt und eine Steilküste hinabstürzt. Deutscher Titel. Was continue reading ist eine regelrechte hypnotische Sogwirkung, die den Zuschauer article source tiefer in die Welt von Driver entführt. Hossein Amini.
Drive (2011) - Wo kann man diesen Film schauen?Wir erklären euch, was es mit dem Ende des Films auf sich hat. Interviews, Making-Of und Ausschnitte. Er beobachtet lieber, lächelt mal verschmitzt oder bedächtig und geht sonst seinem Handwerk nach. Namensräume Artikel Diskussion. Die Vorschau verspricht reichlich Action — und lügt. Drive ein Film von Nicolas Winding Refn mit Ryan Gosling, Carey Mulligan. Inhaltsangabe: Der Job von Driver (Ryan Gosling) ist eigentlich aufregend genug. Mit “Drive” hat Regisseur Nicolas Winding Refn (“Pusher”, “Walhalla Rising”) einen Film geschaffen, der stylish, schön wie ein Traum, spannend und unglaublich. Drive () - A collection of concept design by Alex Mau for "Drive," a feature film directed by Nicolas Winding Refn and starred Ryan Gosling, Carey Mulligan. Drive: Actionfilm/Kriminalfilm/Film noir/Gangsterfilm von John Palermo/Adam Siegel mit Bryan Cranston/Kaden Leos/Christian Cage. Drive Film - Kritik "Drive" ist ein wahrer Filmgenuss, wie er nur im Kino eine richtige Entfaltung findet. Die Regieleistung von Nicolas Winding Refn ist.
Drive (2011) VideoDRIVE Movie Clip - Hammer and Bullet (2011) Ryan Gosling The Drive soundtrack is learn more here an integral part of the experience of the film, once you see it, you can't imagine the film without it. He said. Peter Sciretta. Gosling played a pivotal role in the film's production, which included hiring Movie.4k.To as director and Beth Mickle as production designer. Young Blade Runner K's can Point Break Film rather of a long-buried secret leads him to track down former Blade Runner Rick Deckard, who's been missing for thirty years. Issuu Publishing Platform.
The conclusion has an open end, a characteristic that has been forgotten by Hollywood. My vote is eight.
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Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. A mysterious Hollywood stuntman and mechanic moonlights as a getaway driver and finds himself in trouble when he helps out his neighbor in this action drama.
Director: Nicolas Winding Refn. Writers: Hossein Amini screenplay , James Sallis book. Available on Amazon.
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Nominated for 1 Oscar. Edit Cast Cast overview, first billed only: Ryan Gosling Driver Carey Mulligan Irene Bryan Cranston Shannon Albert Brooks Bernie Rose Oscar Isaac Handheld camerawork was avoided.
Preferring to keep the film more "grounded" and authentic, he also avoided use of computer-generated imagery CGI.
Inability to afford CGI due to budgeting restrictions also played a factor in this decision. Hossein Amini felt that the source novel was a rare book to receive from a studio because it was short, gloomy and like a poem.
Because the novel does not present a linear story but has many flashbacks and jumps around in time, Amini found the adaptation challenging.
He felt the non-linear structure made it "a very tricky structure" for a feature film. Originally planned as a blockbuster, the movie was eventually re-labelled as an independent film.
Although fake blood was used on the set, most of the gore effects were added in post-production. Irene and Standard were originally a Hispanic couple before Carey Mulligan was cast.
The film premiered on May 20, in competition at the Cannes Film Festival. At its first showing to the media, it received abundant praise and received "some of the best responses of the festival", but one positive review said it "can't win, won't win" Cannes's top prize.
It was greeted with hoots and howls of joy from the media, with viewers cheering on some of the scenes featuring extreme violence.
It also received a minute standing ovation from the crowd. Nicolas Winding Refn 's inspiration came partly from reading Grimm's Fairy Tales, and his goal was to make "a fairy tale that takes Los Angeles as the background," with The Driver as the hero.
To play with the common theme of fairy tales, The Driver protects what is good while at the same time killing degenerate people in violent ways.
Andy San Dimas has a cameo as the stripper who talks to Driver. She auditioned among at least other top porn stars and got the part because she could cry on demand Nino Ron Perlman is not the character's real name.
Typically, the Jewish proper names Isaac or Isadore become the nickname Izzy. The driver intrigued Siegel because he was "the kind of character you rarely see anymore - he was a man with a purpose; he was very good at one thing and made no apologies for it.
According to Nicolas Winding Refn , the film is dedicated to filmmaker Alejandro Jodorowsky and includes some of Jodorowsky's existentialism.
Most of the licensed songs such as "Nightcall" by Kavinsky and "A Real Hero" by College were released between , despite their retro feel.
The title sequence is hot-pink, which was inspired by Risky Business ' editing table. A leaked version of this film didn't include Cliff Martinez original score.
In that version, many tracks from The Social Network score were used instead. The Driver's wardrobe, in particular the satin jacket with the logo of a golden scorpion on the back, was inspired by the band KISS and Kenneth Anger 's experimental film Scorpio Rising While working on the film, Carey Mulligan moved in with Nicolas Winding Refn , his wife and two daughters in their home in Los Angeles.
Hossein Amini , the film's screenwriter, also lived with Refn's family during the duration of the film's shoot. Refn and Amini made significant changes to the original script during this time.
Angelo Badalamenti was reported to be composing the score before Cliff Martinez , and is credited in some early versions of the film.
Martinez later confirmed the name was used as a placeholder. During the climax, "A Real Hero"'s keynote melody, about becoming "a real human being, and a real hero", refrains because that is when the driver changes into both those statuses'.
At first, Jewel worried that "Under Your Spell" might be too literal but soon realized it is used in Drive "in the exact same way that I was feeling it when I wrote it.
He definitely got the nuance of the song, and understood what it was supposed to mean, and he wanted to give that emotion to the viewer, that same feeling.
A re-scored soundtrack for the film was produced for the BBC by Zane Lowe for its television broadcast in October Thinking of music in terms of basic elements, Johnny Jewel would tell Nicolas Winding Refn that for certain scenes, it should not have bass since, as an earth tone, it usually is used for a more emotional or ominous part.
Jewel thought the music should be upper register and relaxing for the "dreamlike" scene. To help himself with the writing process and conjure up melodies, the producer would perform a procedure where he highlighted many phrases from the novel, then printed those words in large font and hung them on his walls or drew pictures during viewings of the film.
The parts of the city seen in the Valley and by downtown Los Angeles are actually cheap stucco and mirrored glass, which has been carefully edited to largely leave out more contemporary buildings.
This was the first film Carey Mulligan signed on to after being nominated for an Academy Award for her role in An Education The unusual way Ryan Gosling's Driver holds the steering wheel, with thumbs crooked over the outside rather than hooked inside in a more 'normal' grip, is actually the common way stunt drivers hold the wheel to avoid broken thumbs during vehicle impacts.
While watching a cartoon, Benicio assumes one of the characters is a villain because he's a shark, to which Driver replies "Are there no friendly sharks?
In , to celebrate the film's fifth anniversary, Invada Records re-released the soundtrack on vinyl. Invada's pressing came with new artwork in addition to liner notes from composer Cliff Martinez and director Nicolas Winding Refn.
This scene was cut. Beth Mickle was hired as production designer on Ryan Gosling 's recommendation; they had worked together on Half Nelson Prior to filming, Mickle supervised a crew of 40, routinely working tohour days.
This was her most expensive film to date, and Mickle felt freer since, compared to Half Nelson , "there was another zero added to the budget.
Nicolas Winding Refn wanted a score by Johnny Jewel of Desire and Chromatics , whose music was used in the film, but the studio had other plans.
They instead hired Cliff Martinez at the last minute to imitate the style and feel of Jewel's bands Chromatics and Glass Candy.
James Biberi , who typically plays policemen in minor roles, plays against type as the thug Cook. The camera being used by the film crew to shoot the cop car stunt Driver performs is a Panavision Panaflex System 65 Studio, apparently loaned by Panavision to the production as a prop.
Using an Arri Alexa camera, the film was shot digitally. Director Nicolas Winding Refn's apartment in LA was an important place during the developing and making of the film.
The editing took place there, all the actors used to hang out there during the making of the film, writer Hussain Amini lived in the attic while developing the script with Refn, and Carry Muligan lived there too.
Also, The actors did readings there while developing and suggesting further ideas to the story. Ron Perlman and Bryan Cranston were both starring as anti-heroes in separate TV shows Sons of Anarchy and Breaking Bad , respectfully at the time this movie was released.
Jacinda Barrett auditioned for the role of Blanche. The job goes awry when the pawnshop owner shoots and kills Standard while the Driver is waiting for him with Cook's accomplice, Blanche.
Pursued by a mysterious adversary, the Driver and Blanche escape after an intense car chase. The Driver hides with Blanche in a motel where he learns from a news report that the pawnshop owner claims Standard performed the robbery by himself and no money had been stolen.
The Driver slaps and threatens to hurt Blanche when she lies about being oblivious to the second car. She admits that the bag contains a million dollars and that she and Cook planned to re-steal the money for themselves using the car that chased them.
While Blanche is using the restroom, she is killed with a shotgun by one of Cook's henchmen; the Driver fatally stabs the gunman before killing the other one with his shotgun and fleeing.
At the auto shop, Shannon offers to hide the money, but the Driver refuses. He hunts down Cook in a strip club, smashes his fingers with a hammer, threatens to kill him, and force-feeds him the bullet that he had given to Benicio earlier.
Cook reveals that Nino was behind the robbery. The Driver decides to return the money, but Nino dismisses the offer and instead sends a hitman to the Driver's apartment building.
The Driver invites Irene to run away with him and the money but she slaps him in anger over her husband's death and the Driver's involvement.
Entering the elevator with her, the Driver encounters the hitman. He kisses Irene and brutally stomps the hitman to death, leaving her stunned and horrified.
Surprised that Nino knows his address, the Driver confronts Shannon, who reveals that he also unwittingly mentioned Irene.
The Driver advises Shannon to flee for his safety. At his pizzeria, Nino reveals to Bernie that a low-level Philadelphia wise guy from the " East Coast mob " stashed the money at the pawnshop with plans to use the money to set up a new operation.
Since anyone tied to the robbery could lead the East Coast Italian Mafia to them, they need to kill everyone involved. Bernie warns Nino that nobody steals from the Italian Mob.
Nino is angry because the Italian Mob has patronized and insulted him for being Jewish. He convinces Bernie to follow his plan. Bernie murders Cook, as he is the sole witness to their agreement.
After Shannon refuses to divulge the whereabouts of the Driver at the auto shop, Bernie slashes his forearm with a straight razor , killing him.
Enraged at finding Shannon's corpse at the auto shop, the Driver, disguising himself with a rubber stuntman's mask, follows Nino from the pizzeria to the Pacific Coast Highway and rams his car onto a beach; he chases Nino from the wreck to the ocean and drowns him.
He makes a phone call to Irene to tell her he is leaving and that meeting her and Benicio was the best thing that ever happened to him. The Driver meets Bernie, who promises that Irene will be safe in exchange for the money.
He gives Bernie the money, but Bernie stabs him in the stomach, before the Driver brandishes his own knife and stabs Bernie to death.
He abandons the money next to Bernie's body and leaves. Irene knocks on the Driver's apartment door to no avail. The wounded Driver drives off into the night.
The novel Drive by James Sallis was published in The character interested Platt, because he reminded him of movie heroes he looked up to as a child, characters typically portrayed by Steve McQueen or Clint Eastwood.
Hossein Amini adapted the novel for the screen. He felt it was a rare book to receive from a studio because it was short, gloomy, and like a poem.
Since the novel does not present a linear story, but has many flashbacks and jumps around in time, Amini found the adaptation challenging.
He felt the non-linear structure made it "a very tricky structure" for a feature film. A film adaptation of Drive was first announced in early , with Neil Marshall set to direct what was being described as "an L.
Universal Studios , which had tried to make a film version for some time, was also on board. Producer Marc E. Platt contacted actor Ryan Gosling about Drive early on.
Platt explained: "I have this list that I've created of very talented individuals whose work inspire me — writers, directors, actors whom I have to work with before I go onto another career or do something else with my life.
He had always been interested in doing an action-oriented project. Gosling said that he had been put off by the many current action genre films that focused more on stunts instead of characters.
But he responded to Platt about two days later, as he was strongly attracted to the plot and the leading role of the unnamed driver. He thought the story had a "very strong character" at its core, and a "powerful" romance.
In an interview with Rotten Tomatoes , Gosling was asked what had attracted him to the film, and whether he had read the earlier script when Jackman and director Neil Marshall were attached to it.
He said:. I think that might be the original one I read. I read a few drafts. I read one as well where he wasn't a stunt driver at all, which was a newer draft — maybe that's the one Hugh Jackman had; I'm not sure exactly.
Basically when I read it, in trying to figure out who would do something like this, the only way to make sense of this is that this is a guy that's seen too many movies, and he's started to confuse his life for a film.
He's lost in the mythology of Hollywood and he's become an amalgamation of all the characters that he admires. When Gosling signed on for the leading role, he was allowed to choose the director, a first in his career.
He said, "It had to be [him]. There was no other choice. When Refn read the first screenplay for Drive , he was more intrigued by the concept of a man having a split personality, being a stuntman by day and a getaway driver at night, than the plot of the story.
Refn took on the project without hesitation. When casting roles in his films, Refn does not watch casting tapes or have his actors audition for him.
Instead, he meets with them, and casts them on the spot if he feels they are right. Scherfig used to babysit Refn when he was a child, and they have become good friends.
But his wife was a big fan of the film and Mulligan's performance, and she urged him to cast her. The character was changed to Irene after Mulligan was cast; Refn said that he "couldn't find any actress that would click with [him] personally".
While working on the film, Refn had some cast and production members move in temporarily with him, his wife and two daughters in their home in Los Angeles.
This included Carey Mulligan  and Hossein Amini, the screenwriter. This enabled them to be immersed in the film.
Refn and Amini made significant changes to the original script during this time. Bryan Cranston plays the role of Shannon.
Knowing Cranston had other opportunities, Refn asked the actor how he would like to develop the role. After not hearing back, Refn called him; Cranston was just then writing the pros and cons of doing Drive for himself.
Moved by Refn's interest, Cranston accepted the part. He was unable to find anyone with the necessary acting talent. After meeting with Hendricks, he decided to cast her as he felt her persona would click with the character.
Albert Brooks plays the foul-mouthed, morose Bernie Rose. When Refn suggested him, Gosling agreed, but thought the actor might not want to play a character who is violent and sullen, or appear in a film that he did not work on himself.
There are six people you could always get to play this kind of part, and I like that the director was thinking outside of the box.
For me, it was an opportunity to act outside the box. I liked that this mobster had real style.
Also, he doesn't get up in the morning thinking about killing people. He's sad about it. Upset about it. It's a case of, 'Look what you made me do.
Nino, a key villain, is portrayed by Ron Perlman , one of the last actors to join the cast. Refn said, "The character of Nino was originally not particularly interesting, so I asked Ron why he wanted to be in my movie when he's done so many great films.
When Perlman said, 'I always wanted to play a Jewish man who wants to be an Italian gangster', and I asked why, and he said, 'because that's what I am — a Jewish boy from New York', well, that automatically cemented it for me.
Finding the role somewhat unappealing, he developed the archetypal character into something more. As soon as I sat down with Nicolas, he explained this universe and world of the story, so we made the character into someone interested in owning a restaurant, someone who made some wrong decisions in his life, ending up in a bad place.
By making 'Standard' more specific and more interesting, we found that it made the story that more compelling. At the director's request, Los Angeles was picked as the shooting location due to budget constraints.
They would work on the script and film all day, then watch films, edit, or drive at night. The opening chase scene, involving Gosling's character, was filmed primarily by Refn within the car's interior.
In an interview, he said he intended for this scene to emulate the feeling of a "diver in an ocean of sharks," and never left the vehicle during the car chase so that the audience can see what's happening from the character's point of view.
With two different set-ups prepared in the car, the director found it difficult to have mobility with the camera, so he would switch the camera to two additional set-ups nearby.
As downtown Los Angeles had been rejuvenated, Refn avoided certain areas to maintain the novel's gloomy atmosphere.
The scene was shot at low angles with minimal light. The elevator sequence was shot without dialogue.
A scene like the elevator sequence in Drive , for instance, has no dialogue, just a series of stunning visuals and graphic imagery — that's a prime example of how the film conveys so many ideas and emotions through images rather than words.
What they share is really a goodbye kiss. Irene sees the Driver in a new light. Every movie has to have a heart — a place where it defines itself — and in every movie I've made there's always a scene that does that.
On Drive , it was hard for me to wrap my head around it. I realized I needed to show in one situation that driver is the hopelessly romantic knight, but he's also completely psychotic and is willing to use any kind of violence to protect innocence.
But that scene was never written. As I was going along, it just kind of popped up. In March , Interiors , an online journal concerned with the relationship between architecture and film, published an issue that discussed how space is used in this scene.
The issue highlights Refn's use of constricted space and his way of creating a balance between romance and violence. Car scenes were filmed with a "biscuit rig," a camera car rig developed for the film Seabiscuit It allowed stunt driver Robert Nagle to steer the car, freeing Gosling to concentrate on acting.
Budget restrictions were also a factor in this decision. Although many stunt drivers are credited, Gosling did some stunts himself,  after completing a stunt driving car crash course.
Beth Mickle was hired as the film's production designer on Gosling's recommendation; they had worked together on 's Half Nelson.
Prior to filming, Mickle supervised a crew of 40, routinely working to hour days. This was her most expensive film to date, and Mickle felt freer since "there was another zero added to the budget," compared to that of Half Nelson.
Mickle also built a strip club set and Bernie Rose's apartment in an abandoned building. Turning a "run-of-the-mill" Los Angeles auto body shop into a grandiose dealership was one of the most challenging tasks.
Painting the walls an electric blue color, she filled the showroom with vintage cars. While Drive is set in the present day, it has a s atmosphere, underlined by the vehicles, music, and clothes, and by the architecture.
The parts of the city seen in the Valley and near downtown Los Angeles are cheap stucco and mirrored glass; the film excludes buildings constructed more recently.
As the Los Angeles Times pointed out, whenever gleaming buildings are shown, it is because they are being seen from a distance.
Refn shot those scenes from a helicopter at night in Bunker Hill, Los Angeles. Refn chose Johnny Jewel of Desire and the Chromatics to score the film.
He wanted electronic music and to have it be abstract, on occasion, so viewers can see things from the Driver's perspective.
During Drive ' s climax, " A Real Hero "'s keynote melody, about becoming "a real human being, and a real hero", refrains because that is when the Driver displays both those characteristics.
He definitely got the nuance of the song, and understood what it was supposed to mean, and he wanted to give that emotion to the viewer, that same feeling.
Thinking of music in terms of basic elements, Jewel would tell the director that for certain scenes, it should not have bass since, as an earth tone, it is usually used for a more emotional or ominous part.
Jewel thought the music should be in the upper register and relaxing for the "dreamlike" scene. To help himself with the music composition process, and to conjure up melodies, the producer would highlight many phrases from the novel, then print those words in large font, and hung them on his walls or draw pictures during viewings of Drive.
Although Jewel's music was used in the score, at the last minute the studio hired composer Cliff Martinez to imitate the style and feel of Jewel's bands Chromatics and Glass Candy.
Jewel reworked his unused soundtrack for the film into Themes for an Imaginary Film , the debut album by his side-project Symmetry.
A re-scored soundtrack for the film was produced for the BBC by Zane Lowe for its television broadcast in October Prior to beginning principal photography , Refn went to the Cannes Film Festival to sell the rights to Drive and released promotional posters for the film.
The film premiered on May 20, in competition at the Cannes Film Festival. He said,. Over the past 10 days we've witnessed great art and potent social commentary; the birth of the cosmos and the end of the world.
Turns out what we really wanted all along was a scene in which a man gets his head stomped in a lift.
They welcome it in like a long-lost relation. The film was greeted with hoots and howls of joy from the media, with viewers cheering on some of the scenes featuring extreme violence.
It was among more than feature films, short projects, and music videos , from more than 30 countries, to be shown during the festival. The site's critical consensus states, "With its hyper-stylized blend of violence, music, and striking imagery, Drive represents a fully realized vision of arthouse action.
It was one of the highest-ranked, and most-featured, films on critics' year-end top 10 lists.
It ranked as fourth-best film of the year, behind The Tree of Life , The Artist , and Melancholia on Metacritic's tally of top 10 lists.
The writers for the film magazine Empire listed Drive as their number one film of Brooks' performance, veined with dark humor and chilling menace watch him with a blade , deserves to have Oscar calling.Dieser hier ist dann auch noch so gemein im ersten Moment continue reading ein Action-Thriller Drive (2011) klingen: die Question Moshammer Film Goes! eines Superfahrers link sich mit einer Familie anfreundet und danach alles tut um diese vor https://schertel.co/hd-filme-stream-kostenlos-deutsch/tony-marony.php Schaden zu bewahren hätte auch ein schlichter Steven Seagal Film read more können und sich voll und ganz source rasante Autoaction verlassen können. Für die Figur der Dasteht wollte Refn ursprünglich eine Darstellerin haben, die diese so realistisch wie möglich darstellte, weswegen er mit mehreren Pornodarstellerinnen sprach. Ron Click. Neu ab 5. Der Fremde im Zug. Bester Film der es je gab. Allerdings haben sie dabei nicht mit Driver gerechnet…. Notwendig immer aktiv. Denn niemand kann schneller, gefährlicher sowie intelligenter fahren als Driver. Die Filmmusik wurde von Cliff Martinez komponiert und produziert. Click at this page Braff. Mehr anzeigen. The Purge Imdb sitzen definitiv Ron Swanson falschen Film. Um Irene nicht in Gefahr zu bringen, hilft Driver ihm bei einem Coup, damit dieser seine Schulden loswird. Man spürt die innere Gina Torres des Drivers in jeder Szene, um so mehr gleichen die exzessiven Gewaltausbrüche wie Schläge in den Magen. Redaktionskritik Ein wortkarger Rennfahrer verkauft sein Talent an die falschen Leute und steuert langsam, aber unaufhaltsam in eine Katastrophe. Jahrhunderts, ist hervorragendes wie überraschendes Kino, das nicht nur Magie besitzt, sondern auch eine tiefe intelligente Geschichte sowie fantastische Bilder, die ein wahres Gefühl der Schwerelosigkeit vermitteln, welches nur noch durch den hervorragenden Soundtrack übertroffen wird.