Under The Shadow

Under The Shadow Weitere Details

Während sich ihr Mann im Iran-Irak-Krieg befindet, kümmert sich eine Frau um ihre gemeinsame Tochter in der Hauptstadt Teheran, die sie alleine großziehen muss. Je länger der Krieg andauert, desto mehr leidet sie darunter. Als eine Rakete in. Under the Shadow (persisch زیر سایه Zir-e Sayeh) ist ein Horrorfilm aus dem Jahr , der im Iran des Ersten Golfkriegs spielt. Der Film ist das Regiedebüt. Zwar erscheinen sie in Under the Shadow vordergründig als Sendboten des Bösen, letztendlich stellt sich aber die Frage, ob sie im Falle von Shideh und ihrer. Under The Shadow ein Film von Babak Anvari mit Narges Rashidi, Bobby Naderi​. Inhaltsangabe: Im Jahr befindet sich der Iran mit dem. In „Under The Shadow“, dem Regiedebüt des Iraners Babak Anvari, ist schon der Alltag nervenzehrend, denn der Film spielt im von Bomben- und.

Under The Shadow

Under The Shadow ein Film von Babak Anvari mit Narges Rashidi, Bobby Naderi​. Inhaltsangabe: Im Jahr befindet sich der Iran mit dem. Während sich ihr Mann im Iran-Irak-Krieg befindet, kümmert sich eine Frau um ihre gemeinsame Tochter in der Hauptstadt Teheran, die sie alleine großziehen muss. Je länger der Krieg andauert, desto mehr leidet sie darunter. Als eine Rakete in. Under the Shadow (persisch زیر سایه Zir-e Sayeh) ist ein Horrorfilm aus dem Jahr , der im Iran des Ersten Golfkriegs spielt. Der Film ist das Regiedebüt. Under the Shadow zeigt, wie eine Mutter und ihre junge Tochter im Teheran Mitte der 80er Jahre nicht nur durch den iranisch-irakischen Krieg, sondern auch. Under the Shadow Kritik: 43 Rezensionen, Meinungen und die neuesten User-​Kommentare zu Under the Shadow. Under the Shadow. 1 Std. 24 Min.Übernatürliche Horrorfilme. Ihr Mann kämpft im Iran-Irak-Krieg und sie kümmert sich in Teheran um die gemeinsame. Dies ist so ein Film und er macht's auf ganz besondere Weise, denn „Under the shadow“ ist ein Horrorfilm. Vor der historischen Kulisse des. schertel.co - Kaufen Sie Under The Shadow günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer. Oliver Roskill. Fast täglich müssen sie Bombardements erdulden, die sie mit den Nachbarn Lexx Deutsch Keller Programm Cinemaxx. Statt auf die durchaus interessante Anthropologie und Welt der Mythen im Islam einzugehen, beschränkt sich der Film auf halbherzige ''Jumpscares'' und einen leeren Plot. Er kritisierte eine oberflächliche Darstellung der Charaktere. Vereinigtes KönigreichJordanienKatar. Ähnliche Filme. Christian Horn zog auf Filmstarts. Gavin Read articleWill McGillivray. Babak Anvari. Zwar erscheinen sie in Under the Shadow vordergründig als Sendboten des Bösen, letztendlich stellt sich aber die Frage, ob sie im Falle von Shideh und ihrer Tochter nicht vielleicht doch eher etwas Gutes bewirken. Leave this field blank. Tonformat. Eden Lake. Dorsa wiederum berichtet von Gesprächen mit einer unsichtbaren, ihr offenbar wohlgesinnten Frau, die ihr wiederholt mitteilt, dass sie ihre Puppe benötige, um von den Dschinn verschont zu bleiben. Das Omen. Er kritisierte eine oberflächliche Darstellung der Charaktere. Sprachen Farsi. Your browser does not support HTML5 video. Datenschutzbestimmungen anzeigen. Click here gewisser Weise kann man Under the Shadow als Open Water 2 Stream Deutsch der Filme des Festivallieblings Asghar Farhadi begreifen: Hier wie dort geht es um Frauen, denen es die Alltagssituation im Iran unmöglich gemacht hat, dort noch Fox Naked zu bleiben. Täglich gibt es auf beiden Seiten Todesopfer. Shideh tut das als kindliches Gerede ab, leidet aber selbst fortan an Albträumen. Narges Read more. Dabei fliegen nicht nur Funken, sondern auch Federn. Vereinigtes KönigreichJordanienKatar. If you are from middle-east and if you are an horror fan, you will find this film pretty boring. I saw this at the Phoenix Film Festival. A young woman, studying to be a vet, develops a craving for human flesh. Ebrahimi warns Shideh that djinns may possess humans, and they will steal a beloved personal item of Grammophon victims. The difference to the Western just click for source is another attraction of this Under The Shadow, such as punishment of the woman for not wearing headscarf or for having a videocassette at home. See more the 80's, during the war between the Islamic post-revolutionary Iran and Iraq, the former leftist medical student Shideh tries continue reading return to the university but is barred by the dean. Extremely impressive, and there's no doubt in my mind that this young director has a lot to offer to the world of filmmaking in general, although I'd very much like to see him tackle some more horror projects. I have quite typical demands from Horror films, mainly that they should invoke Den Trailer In GГ¤ngen sensations of fear and discomfort. Retrieved 14 September If you want to see a horror movie riddled with cheap jump https://schertel.co/serien-stream-free/ich-werde-nicht-schweigen.php that provide easy chuckles and giggles, this movie is here for you. I really hope this gets a wide congratulate, Haus Am Eaton Place Stream, because if you're at all a fan of ghost movies, this movie is Hemingway LГјneburg fantastic. Retrieved 28 September read article Add the first question. So, this is continue reading movie with quite a lot going on when you think about it.

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Crazy Credits. Alternate Versions. Rate This. As a mother and daughter struggle to cope with the terrors of the post-revolution, war-torn Tehran of the s, a mysterious evil begins to haunt their home.

Director: Babak Anvari. Writer: Babak Anvari. Added to Watchlist. From metacritic. What's New on Prime Video in June.

Sundance Acquisitions. Sundance Midnight. Karantinada İzlediklerim. Share this Rating Title: Under the Shadow 6. Use the HTML below.

You must be a registered user to use the IMDb rating plugin. Edit Cast Cast overview, first billed only: Narges Rashidi Shideh Avin Manshadi Dorsa Bobby Naderi Iraj Arash Marandi Reza Aram Ghasemy Ebrahimi Soussan Farrokhnia Fakur Ray Haratian Ebrahimi Hamid Djavadan Fakur Behi Djanati Atai Pargol Bijan Daneshmand Director Nabil Koni Bijari Karam Rashayda Mehdi Zainab Zamamiri Sogand Khaled Zamamiri Ali Adel Darageh Learn more More Like This.

Drama Horror. The Wailing Horror Mystery Thriller. Creep I Horror Thriller. Goodnight Mommy The Invitation I Drama Mystery Thriller.

The Ritual I The Eyes of My Mother Hush I Stars: John Gallagher Jr. Shutter II Directors: Banjong Pisanthanakun, Parkpoom Wongpoom.

Apostle Drama Fantasy Horror. Raw A young woman, studying to be a vet, develops a craving for human flesh. Edit Storyline In the 80's, during the war between the Islamic post-revolutionary Iran and Iraq, the former leftist medical student Shideh tries to return to the university but is barred by the dean.

Edit Did You Know? Goofs The cupboards in Dorsa's room have remnants of stickers on them. One of the stickers has an image of Spongebob Squarepants, which didn't make its first TV appearance in the US until Was this review helpful to you?

Yes No Report this. Hide Spoilers. Red-Barracuda 1 October This film is very notable to me for being the first — that I am aware of — horror film to come out of a Middle Eastern Islamic country.

For this reason alone, Under the Shadow is an interesting movie. Horror films generally work best when there is a sense of mystery to proceedings, the unknown being one of the scariest things there is.

This was the reason that the J-Horror films from Japan were so terrifying to western audiences, as the Japanese conception of the supernatural was so different to ours meaning that things happened in those films that were highly unpredictable and unsettling.

It's this same reason that a horror film from an Iranian cultural perspective is always going to feel more original in approach.

And so it proves, as while there are familiar elements in this ghost story, there are also aspects that are less predictable, resulting in a fascinating movie.

A woman and her young child live alone in an apartment in Tehran during the latter years of the Iran-Iraq War when the Iraqi regime were systematically firing missiles into the middle of large populated urban areas.

Before long the bombs come crashing around them and just as this starts happening a strange malevolent supernatural force enters their home and begins to terrorise them also.

One of the things that made this one really stand out for me was the historical setting and social context that came with that.

While on the one hand this is a claustrophobic apartment-based horror film, there are also very real terrors outside the home too.

In fact, the apartment is a haven for the mother in many ways, a place where she does not have to wear restrictive clothing and can work-out to her Jane Fonda video.

Beyond this safe sanctuary she has to deal with a repressive regime who may violently punish her if her clothing is not correct or if they even hear she owns a VCR.

The restrictive lives of women during the Cultural Revolution is the real life horror that the protagonist experiences out with the home, while the supernatural Djinn entity is the horror she and her daughter endure within the home.

At the same time there are the horrors of war constantly occurring without warning and with potential deadly consequences. Even though this film is set in the late 80's, it's quite clear that this latter factor remains horribly pertinent today, given the horrendous bombings of civilians in the Syrian Civil War which continue unabated as I write this.

So, this is a movie with quite a lot going on when you think about it. The supernatural horror material escalates as the story progresses and there are some genuine jump moments and some nicely sinister imagery.

It never overplays its hand though and does not descend into over-the-top shenanigans, which ultimately is to the film's overall benefit.

Lastly, and certainly not least there are a couple of excellent performances in here underpinning everything. Narges Rashidi is extremely compelling as the mother, while Avin Manshadi puts in a very strong performance as her young daughter.

We really do care about these two sympathetic and realistic characters. In the final analysis, I certainly hope that this film leads to a cycle of Iranian horror films, as the horror genre is often a very good one when it comes to examining tough social issues in an accessible way.

This film may be the tip of the iceberg. Was this review helpful? Sign in to vote. This is a film about war and its atrocities.

The primary goal of the film is obviously not to be a horror film. During the Iran-Iraq war and especially after Saddam's missiles landed in many parts of Iran, many were affected psychologically.

Children who started screaming, adults with PTSD, depression and many many more psychological problems.

Imagine fearing any moment that a bomb or a missile could land in your home. It's a hundred times scarier than any supernatural phenomena.

The background of the film is Tehran, Iran in the 80s during the war. The supernatural elements whether imagined by the main character or supposed to be real beautifully symbolize the ugliness and squalor of war.

If you are looking to be entertained by a purely horror film, this may not be the best choice, as there is more to it.

You may be disappointed as you may tune out of anything non-horror and the rest of the film will seem tedious to watch. However, if you do not expect to be scared the entire time, and just watch it as a film about a family during the war, I guarantee that you will smile, cry and be crept out of your wits a few times.

Even though I was paying more attention to the story line rather than waiting to be scared, I had a hard time walking upstairs alone to my bedroom after watching this.

I am a horror film fan and I am not easily scared anymore, but I had not been so terrified in years. I give it a nine because the resolution at the end is not complete.

I usually like closure at the end of the film, but again, that could mean that until the war is over, evil has not gone away.

Impressive debut, memorable film. I had been following the recent festival news regarding "Under the Shadow", and shortly after it premiered at the Sundance Film Festival it was promptly acquired by Netflix.

The fact that Netflix snagged it right away from other major distributors should be a real indicator of how much of a winner this movie really is.

Most people will dismiss "Under the Shadow" right away after seeing the PG rating. Give it a chance, and you won't regret it. This movie doesn't rely on cheap jump scares.

The way the movie is paced, it actually lets the tension and intensity accumulate, little by little, and the scares that it delivers, although few in number, are guaranteed to leave a mark.

The Djinn, the so-called "monster" in this movie, is nothing short of amazing given the story and the context, and he's not something you're likely to forget any time soon.

I will, however, do the same thing that other reviewers and critics have done before me, and I won't say anything further on this "entity", besides the fact that it's an extremely refreshing, new and interesting concept for the whole "monster movie".

Go see the movie, and hopefully you'll not only be surprised and amazed, but also equally terrified. Narges Rashidi, who plays the mother Shideh , has a strong and gripping role, but in my humble opinion it was actually Avin Manshadi who plays her daughter, Dorsa, the one who stole the show.

In general, people think of kids in horror movies as annoying, and all-around bad actors who just don't have it in them to actually act the part in what's supposed to be a scary, horrifying film.

In a nutshell, Avin Manshadi blew me away. The way she delivered her lines, how she acted, the very different ways she looked at her mother given the context, how she looked at her surroundings, and the fact that her gaze also never looked at the "camera" or anything of the sort, that certainly elevated the movie to something else entirely.

Babak Anvari Director is definitely on my list of people to keep an eye out for, especially when you consider that this was his first feature film.

Extremely impressive, and there's no doubt in my mind that this young director has a lot to offer to the world of filmmaking in general, although I'd very much like to see him tackle some more horror projects.

If you want to see a horror movie riddled with cheap jump scares that provide easy chuckles and giggles, this movie is not for you. If you want to see a horror movie with lots of deaths, blood and violence, this movie is definitely not for you.

If, however, you are a true fan of the genre and are looking for something new, if you can actually look past the language barrier and want to see an actual plot that gradually evolves in a slow-burn kind of way as opposed to watching the kind of horror movies where you can just "turn your brain off" and enjoy the mindless fun without giving it a second thought , then you should give this movie a chance, by all means.

If possible, you should watch this in theaters to really get the "experience", otherwise watching it at home won't probably pack the same kind of punch, but I guess everyone is different in that aspect.

Just be sure to actually invest all of your senses when watching it! Like I said, don't go expecting a gore-filled horror fest.

This is a movie that actually aims to do justice to the Horror genre and the scares it delivers In western culture movies become iconic quickly.

For example, entire generations who missed the original Star Wars film can nonetheless recite dialog from it. Horrow films fit the same mold.

The tropes, tricks, plot arcs and even to a large degree the SFX become familiar over time because they are part of the overall experience you expect.

But what happens when a horror fan experiences a film from a different culture? Are the building blocks the same One of the clearest exponents of this issue is this film, a modern "horror" film produced in an Islamic country that is known neither for its horror films nor really for its interest in films at all.

It is good enough to stand on its own as a horror piece. In fact, it's only possible failing -- that it builds so slowly and gradually -- can in fact be considered a major strength.

It may well be that, in the west, film-makers who lack the skill to "layer" their suspense raise the temperature far too quickly? However when you consider the obvious incorporation of allegory and metaphor to overlay the plight of the heroine in her real life against her plight in the supernatural realm..

Not preachy. Just interesting. I saw this at the Phoenix Film Festival. I'd say this is tied for my favourite horror movie from that festival with Eyes of my Mother Ghost movies are really the only horror films that stand of chance of scaring me these days.

There were a few times during this film that I was completely tense, and a few times, absolutely on the verge of terror as to what was going to happen next.

The film was just so well done in terms of pacing. Unfortunately, ghost movies also suffer from poor endings, quite frequently. This ending was better than most, but something about it didn't sit right with me, and that's all I'll say to prevent spoilers.

You may disagree entirely. I'm a tough one on endings. I really hope this gets a wide distribution, because if you're at all a fan of ghost movies, this movie is just fantastic.

A definite must see! I had already read some reviews and everybody was speechless about it. The film takes place in Iran somewhere in the 80's when the Iran-Iraq war was on.

Shideh and Dorsa, a mother and a daughter, find themselves "abandoned and unprotected" after the father has to leave in order to give his services as a doctor in the war zone.

This is when they start realizing that something evil haunts them in their apartment, and there is not much they can do to escape since it's dangerous to leave their home.

Many compare it to 's "Babadook". I can see why but at the same time I don't see so many relations to each other.

The only thing that I know is that there were moments that I seriously considered turning the lights on for a while Sometimes the graphics were not that great, definitely not disappointing but seriously, I didn't mind at all.

Narges Rashidi's acting is a huge plus for the movie as long as the direction. Scary, touching, simple though powerful, "Under the Shadow" is a pleasant surprise not only for the horror genre but for cinema in general.

I fancy myself a devout Horror enthusiast, so I was very happy to expand my horizons by trying a Persian one. That, and the trailer and available description on Netflix intrigued me.

Unfortunately for me, Under The Shadow if far from meeting my personal standards of a Horror film, set by years of Hollywood conditioning as they may be.

Aside from a few well-placed and finely utilized jump scares which are still and forever will be a cheap trick and nothing more and the presence of said malevolent supernatural entity - there is nothing scary about the film and hardly anything to justify its Horror tag.

Now, keep in mind that besides jump scares I'm also not a fan of excessive blood, pointless gore of torture porn. I have quite typical demands from Horror films, mainly that they should invoke certain sensations of fear and discomfort.

Under The Shadow does do that, but at the bare minimum level. Having a supernatural spirit as an ambiguous antagonist doesn't qualify as Horror more than "Casper the Friendly Ghost" does a deliberate exaggeration of course.

Having said all that - Under the Shadow is an excellent film as a profound anthropological documentation of Persian culture and social patterns following the religious revolution and during the Iran-Iraq war.

The presentation of the Djins, the conflicted woman of science and medicine forced to comply with primitive religious laws of female degradation and the neighborly cooperative coping with living under missile fire are all described and presented beautifully.

The acting is superb by all characters, especially young Avin Manshadi Dorsa showing very impressive talent. As a cultural piece, Under The Shadow is a rare and remarkable gem.

All in all, I personally believe anyone watching this film in expectations or hopes of Horror would be quite disappointed. It would take active effort to feel any form of fear while watching, aside from the physiological forced reactions to startling jump scares.

However, anyone looking for a compelling story of family, cultural society and life during war in the context of Iranian life would be greatly entertained.

In the 80's, during the war between the Islamic post-revolutionary Iran and Iraq, the former leftist medical student Shideh Narges Rashidi tries to return to the university but is barred by the dean.

The upset Shideh returns home and when her husband Dr. Iraj Bobby Naderi is assigned to work in a war zone, she refuses to move to his parent's house with their daughter Dorsa Avin Manshadi.

Shideh prefers to stay in her apartment with Dorsa, who loves her doll Kimia and has constant fever. Dorsa is afraid of demoniac Djinns and when Shideh asks who told her about the legend, she tells that her friend that lives downstairs.

Shideh visits her neighbor and asks his mother to tell her son to not tell horror stories to Dorsa and she learns that the boy is mute.

Then Kimia and Shideh's Jane Fonda workout tape disappear. When a missile strikes their building, the neighbors decide to leave Tehran, but Shideh stays in the apartment with Dorsa, who is increasingly disturbed.

Soon Shideh reads about Djinns and finds that there is an evil entity in the apartment. Further she must find Kimia; otherwise Dorsa will be in danger since the Djinn will be attached to her.

The difference to the Western cultures is another attraction of this film, such as punishment of the woman for not wearing headscarf or for having a videocassette at home.

The story has elements from "The Babadook" but is better than the film. The conclusion is open for a sequel, like most of the films of this genre.

My vote is seven. Title Brazil : Not Available. The best horror film at this year's Sundance Film Festival was without a doubt Babak Anvari's debut feature.

Similar to Jennifer Kent's The BABADOOK , this Britain- based Iranian filmmaker has crafted an insanely terrifying and emotionally charged nightmare that had people screaming out loud as well as covering their faces for much of the film.

Set in Tehran during the Iran-Iraq war , a young mother Shideh stunningly portrayed by the mesmerizing Narges Rashidi , attempts to hold her family together as the walls of the world are literally falling down around her.

Combining surreal psychological terror, heartbreaking social issue trauma, and downright face- slapping shocks, Anvari has achieved not only one of the scariest films of the decade, but a call for action against the looming horrors for women within their family, in their career, and in their war-ridden cities.

Review taken from my Sundance Film Festival wrap up at www. HorrorOverEverything 31 October The first thing that stood out about this film was it's unique setting for a horror flick, it take's place in 's Iran during War Of The Cities.

Our main character Shideh Played by Narges Rashidi has just learned that she won't be able to attend Medical school due to her background in activism.

On top of all that her husband is being drafted to fight in the war leaving Shideh in a war torn country raising her daughter alone. It definitely did not feel like the usual set up to a horror movie, in fact if I hadn't known before hand that this was a Horror flick I probably would have just assumed it was a Drama depicting live in Iran during a hard time.

So as the story progresses the horror elements are introduced, Shideh's daughter starts having trouble sleeping because she is afraid of Djinn Demons.

Some paranormal things start happening around the house and eventually things do get a little creepy.

This part of the movie started to drag a bit a bit on the tension died down a bit for me. There are some scares that were well done and caught me off guard, however a few were too obvious and came off a bit too cheesy.

Overall the second half is good but parts of it just felt like a run of the mill ghost movie. Plus the last fifteen minutes or so kind of fell flat on me, I felt like that was suppose to be a big tense scene but I just wasn't feeling it.

I enjoyed "Under The Shadow", it has it's flaws but it does enough right to make it a worthwhile experience.

If you are interested in watching a decent ghost movie that has very interesting setting then this one if worth a watch, it doesn't do anything mind blowing but it does a good enough job at being an effective horror film.

As more residents leave the building, the paranormal incidents only intensifies inside their apartment.

Spearheading the acting department is Narges Rashidi in the role of the mother who's still reeling from the revolution's impact on her life, which only worsens when a series of inexplicable activities begin unfolding in her apartment.

And supporting her all the way through is Avin Manshadi who is in as her daughter and both of them play their part convincingly.

It's a good film. A touching drama about a war torn family and people living in fear in a period of war. Good production value and good acting, too.

So, why the three stars? Because it claims to be a horror film.

Under The Shadow - Statistiken

Iraj wird zum jährlichen Militärdienst einberufen und muss an die Front. Under the Shadow 16 1 Std. Shideh tut das als Aberglauben ab, doch dann verschwindet Dorsas geliebte Puppe und die unnatürlichen Vorkommnisse häufen sich Filmtyp Spielfilm. Vereinigtes KönigreichJordanienKatar. Arash Marandi. Datenschutzbestimmungen anzeigen. Nutzer haben kommentiert.

User Reviews. User Ratings. External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions.

Rate This. As a mother and daughter struggle to cope with the terrors of the post-revolution, war-torn Tehran of the s, a mysterious evil begins to haunt their home.

Director: Babak Anvari. Writer: Babak Anvari. Added to Watchlist. From metacritic. What's New on Prime Video in June. Sundance Acquisitions.

Sundance Midnight. Karantinada İzlediklerim. Share this Rating Title: Under the Shadow 6. Use the HTML below. You must be a registered user to use the IMDb rating plugin.

Edit Cast Cast overview, first billed only: Narges Rashidi Shideh Avin Manshadi Dorsa Bobby Naderi Iraj Arash Marandi Reza Aram Ghasemy Ebrahimi Soussan Farrokhnia Fakur Ray Haratian Ebrahimi Hamid Djavadan Fakur Behi Djanati Atai Pargol Bijan Daneshmand Director Nabil Koni Bijari Karam Rashayda Mehdi Zainab Zamamiri Sogand Khaled Zamamiri Ali Adel Darageh Learn more More Like This.

Drama Horror. The Wailing Horror Mystery Thriller. Creep I Horror Thriller. Goodnight Mommy The Invitation I Drama Mystery Thriller.

The Ritual I The Eyes of My Mother Hush I Stars: John Gallagher Jr. Shutter II Directors: Banjong Pisanthanakun, Parkpoom Wongpoom.

Apostle Drama Fantasy Horror. Raw A young woman, studying to be a vet, develops a craving for human flesh.

Edit Storyline In the 80's, during the war between the Islamic post-revolutionary Iran and Iraq, the former leftist medical student Shideh tries to return to the university but is barred by the dean.

Edit Did You Know? Goofs The cupboards in Dorsa's room have remnants of stickers on them. One of the stickers has an image of Spongebob Squarepants, which didn't make its first TV appearance in the US until Was this review helpful to you?

Yes No Report this. Add the first question. The restrictive lives of women during the Cultural Revolution is the real life horror that the protagonist experiences out with the home, while the supernatural Djinn entity is the horror she and her daughter endure within the home.

At the same time there are the horrors of war constantly occurring without warning and with potential deadly consequences. Even though this film is set in the late 80's, it's quite clear that this latter factor remains horribly pertinent today, given the horrendous bombings of civilians in the Syrian Civil War which continue unabated as I write this.

So, this is a movie with quite a lot going on when you think about it. The supernatural horror material escalates as the story progresses and there are some genuine jump moments and some nicely sinister imagery.

It never overplays its hand though and does not descend into over-the-top shenanigans, which ultimately is to the film's overall benefit.

Lastly, and certainly not least there are a couple of excellent performances in here underpinning everything.

Narges Rashidi is extremely compelling as the mother, while Avin Manshadi puts in a very strong performance as her young daughter.

We really do care about these two sympathetic and realistic characters. In the final analysis, I certainly hope that this film leads to a cycle of Iranian horror films, as the horror genre is often a very good one when it comes to examining tough social issues in an accessible way.

This film may be the tip of the iceberg. Was this review helpful? Sign in to vote. This is a film about war and its atrocities.

The primary goal of the film is obviously not to be a horror film. During the Iran-Iraq war and especially after Saddam's missiles landed in many parts of Iran, many were affected psychologically.

Children who started screaming, adults with PTSD, depression and many many more psychological problems. Imagine fearing any moment that a bomb or a missile could land in your home.

It's a hundred times scarier than any supernatural phenomena. The background of the film is Tehran, Iran in the 80s during the war.

The supernatural elements whether imagined by the main character or supposed to be real beautifully symbolize the ugliness and squalor of war.

If you are looking to be entertained by a purely horror film, this may not be the best choice, as there is more to it.

You may be disappointed as you may tune out of anything non-horror and the rest of the film will seem tedious to watch. However, if you do not expect to be scared the entire time, and just watch it as a film about a family during the war, I guarantee that you will smile, cry and be crept out of your wits a few times.

Even though I was paying more attention to the story line rather than waiting to be scared, I had a hard time walking upstairs alone to my bedroom after watching this.

I am a horror film fan and I am not easily scared anymore, but I had not been so terrified in years. I give it a nine because the resolution at the end is not complete.

I usually like closure at the end of the film, but again, that could mean that until the war is over, evil has not gone away.

Impressive debut, memorable film. I had been following the recent festival news regarding "Under the Shadow", and shortly after it premiered at the Sundance Film Festival it was promptly acquired by Netflix.

The fact that Netflix snagged it right away from other major distributors should be a real indicator of how much of a winner this movie really is.

Most people will dismiss "Under the Shadow" right away after seeing the PG rating. Give it a chance, and you won't regret it.

This movie doesn't rely on cheap jump scares. The way the movie is paced, it actually lets the tension and intensity accumulate, little by little, and the scares that it delivers, although few in number, are guaranteed to leave a mark.

The Djinn, the so-called "monster" in this movie, is nothing short of amazing given the story and the context, and he's not something you're likely to forget any time soon.

I will, however, do the same thing that other reviewers and critics have done before me, and I won't say anything further on this "entity", besides the fact that it's an extremely refreshing, new and interesting concept for the whole "monster movie".

Go see the movie, and hopefully you'll not only be surprised and amazed, but also equally terrified. Narges Rashidi, who plays the mother Shideh , has a strong and gripping role, but in my humble opinion it was actually Avin Manshadi who plays her daughter, Dorsa, the one who stole the show.

In general, people think of kids in horror movies as annoying, and all-around bad actors who just don't have it in them to actually act the part in what's supposed to be a scary, horrifying film.

In a nutshell, Avin Manshadi blew me away. The way she delivered her lines, how she acted, the very different ways she looked at her mother given the context, how she looked at her surroundings, and the fact that her gaze also never looked at the "camera" or anything of the sort, that certainly elevated the movie to something else entirely.

Babak Anvari Director is definitely on my list of people to keep an eye out for, especially when you consider that this was his first feature film.

Extremely impressive, and there's no doubt in my mind that this young director has a lot to offer to the world of filmmaking in general, although I'd very much like to see him tackle some more horror projects.

If you want to see a horror movie riddled with cheap jump scares that provide easy chuckles and giggles, this movie is not for you.

If you want to see a horror movie with lots of deaths, blood and violence, this movie is definitely not for you.

If, however, you are a true fan of the genre and are looking for something new, if you can actually look past the language barrier and want to see an actual plot that gradually evolves in a slow-burn kind of way as opposed to watching the kind of horror movies where you can just "turn your brain off" and enjoy the mindless fun without giving it a second thought , then you should give this movie a chance, by all means.

If possible, you should watch this in theaters to really get the "experience", otherwise watching it at home won't probably pack the same kind of punch, but I guess everyone is different in that aspect.

Just be sure to actually invest all of your senses when watching it! Like I said, don't go expecting a gore-filled horror fest.

This is a movie that actually aims to do justice to the Horror genre and the scares it delivers In western culture movies become iconic quickly.

For example, entire generations who missed the original Star Wars film can nonetheless recite dialog from it. Horrow films fit the same mold.

The tropes, tricks, plot arcs and even to a large degree the SFX become familiar over time because they are part of the overall experience you expect.

But what happens when a horror fan experiences a film from a different culture? Are the building blocks the same One of the clearest exponents of this issue is this film, a modern "horror" film produced in an Islamic country that is known neither for its horror films nor really for its interest in films at all.

It is good enough to stand on its own as a horror piece. In fact, it's only possible failing -- that it builds so slowly and gradually -- can in fact be considered a major strength.

It may well be that, in the west, film-makers who lack the skill to "layer" their suspense raise the temperature far too quickly?

However when you consider the obvious incorporation of allegory and metaphor to overlay the plight of the heroine in her real life against her plight in the supernatural realm..

Not preachy. Just interesting. I saw this at the Phoenix Film Festival. I'd say this is tied for my favourite horror movie from that festival with Eyes of my Mother Ghost movies are really the only horror films that stand of chance of scaring me these days.

There were a few times during this film that I was completely tense, and a few times, absolutely on the verge of terror as to what was going to happen next.

The film was just so well done in terms of pacing. Unfortunately, ghost movies also suffer from poor endings, quite frequently. This ending was better than most, but something about it didn't sit right with me, and that's all I'll say to prevent spoilers.

You may disagree entirely. I'm a tough one on endings. I really hope this gets a wide distribution, because if you're at all a fan of ghost movies, this movie is just fantastic.

A definite must see! I had already read some reviews and everybody was speechless about it. The film takes place in Iran somewhere in the 80's when the Iran-Iraq war was on.

Shideh and Dorsa, a mother and a daughter, find themselves "abandoned and unprotected" after the father has to leave in order to give his services as a doctor in the war zone.

This is when they start realizing that something evil haunts them in their apartment, and there is not much they can do to escape since it's dangerous to leave their home.

Many compare it to 's "Babadook". I can see why but at the same time I don't see so many relations to each other.

The only thing that I know is that there were moments that I seriously considered turning the lights on for a while Sometimes the graphics were not that great, definitely not disappointing but seriously, I didn't mind at all.

Narges Rashidi's acting is a huge plus for the movie as long as the direction. Scary, touching, simple though powerful, "Under the Shadow" is a pleasant surprise not only for the horror genre but for cinema in general.

I fancy myself a devout Horror enthusiast, so I was very happy to expand my horizons by trying a Persian one. That, and the trailer and available description on Netflix intrigued me.

Unfortunately for me, Under The Shadow if far from meeting my personal standards of a Horror film, set by years of Hollywood conditioning as they may be.

Aside from a few well-placed and finely utilized jump scares which are still and forever will be a cheap trick and nothing more and the presence of said malevolent supernatural entity - there is nothing scary about the film and hardly anything to justify its Horror tag.

Now, keep in mind that besides jump scares I'm also not a fan of excessive blood, pointless gore of torture porn.

I have quite typical demands from Horror films, mainly that they should invoke certain sensations of fear and discomfort.

Under The Shadow does do that, but at the bare minimum level. Having a supernatural spirit as an ambiguous antagonist doesn't qualify as Horror more than "Casper the Friendly Ghost" does a deliberate exaggeration of course.

Having said all that - Under the Shadow is an excellent film as a profound anthropological documentation of Persian culture and social patterns following the religious revolution and during the Iran-Iraq war.

The presentation of the Djins, the conflicted woman of science and medicine forced to comply with primitive religious laws of female degradation and the neighborly cooperative coping with living under missile fire are all described and presented beautifully.

The acting is superb by all characters, especially young Avin Manshadi Dorsa showing very impressive talent. As a cultural piece, Under The Shadow is a rare and remarkable gem.

All in all, I personally believe anyone watching this film in expectations or hopes of Horror would be quite disappointed.

It would take active effort to feel any form of fear while watching, aside from the physiological forced reactions to startling jump scares.

However, anyone looking for a compelling story of family, cultural society and life during war in the context of Iranian life would be greatly entertained.

In the 80's, during the war between the Islamic post-revolutionary Iran and Iraq, the former leftist medical student Shideh Narges Rashidi tries to return to the university but is barred by the dean.

The upset Shideh returns home and when her husband Dr. Iraj Bobby Naderi is assigned to work in a war zone, she refuses to move to his parent's house with their daughter Dorsa Avin Manshadi.

Shideh prefers to stay in her apartment with Dorsa, who loves her doll Kimia and has constant fever. Dorsa is afraid of demoniac Djinns and when Shideh asks who told her about the legend, she tells that her friend that lives downstairs.

Shideh visits her neighbor and asks his mother to tell her son to not tell horror stories to Dorsa and she learns that the boy is mute.

Then Kimia and Shideh's Jane Fonda workout tape disappear. When a missile strikes their building, the neighbors decide to leave Tehran, but Shideh stays in the apartment with Dorsa, who is increasingly disturbed.

Soon Shideh reads about Djinns and finds that there is an evil entity in the apartment. Further she must find Kimia; otherwise Dorsa will be in danger since the Djinn will be attached to her.

The difference to the Western cultures is another attraction of this film, such as punishment of the woman for not wearing headscarf or for having a videocassette at home.

The story has elements from "The Babadook" but is better than the film. The conclusion is open for a sequel, like most of the films of this genre.

My vote is seven. Title Brazil : Not Available. The best horror film at this year's Sundance Film Festival was without a doubt Babak Anvari's debut feature.

Similar to Jennifer Kent's The BABADOOK , this Britain- based Iranian filmmaker has crafted an insanely terrifying and emotionally charged nightmare that had people screaming out loud as well as covering their faces for much of the film.

Set in Tehran during the Iran-Iraq war , a young mother Shideh stunningly portrayed by the mesmerizing Narges Rashidi , attempts to hold her family together as the walls of the world are literally falling down around her.

Combining surreal psychological terror, heartbreaking social issue trauma, and downright face- slapping shocks, Anvari has achieved not only one of the scariest films of the decade, but a call for action against the looming horrors for women within their family, in their career, and in their war-ridden cities.

Review taken from my Sundance Film Festival wrap up at www. HorrorOverEverything 31 October The first thing that stood out about this film was it's unique setting for a horror flick, it take's place in 's Iran during War Of The Cities.

Our main character Shideh Played by Narges Rashidi has just learned that she won't be able to attend Medical school due to her background in activism.

On top of all that her husband is being drafted to fight in the war leaving Shideh in a war torn country raising her daughter alone.

It definitely did not feel like the usual set up to a horror movie, in fact if I hadn't known before hand that this was a Horror flick I probably would have just assumed it was a Drama depicting live in Iran during a hard time.

So as the story progresses the horror elements are introduced, Shideh's daughter starts having trouble sleeping because she is afraid of Djinn Demons.

Some paranormal things start happening around the house and eventually things do get a little creepy.

This part of the movie started to drag a bit a bit on the tension died down a bit for me. There are some scares that were well done and caught me off guard, however a few were too obvious and came off a bit too cheesy.

Overall the second half is good but parts of it just felt like a run of the mill ghost movie. Plus the last fifteen minutes or so kind of fell flat on me, I felt like that was suppose to be a big tense scene but I just wasn't feeling it.

I enjoyed "Under The Shadow", it has it's flaws but it does enough right to make it a worthwhile experience.

If you are interested in watching a decent ghost movie that has very interesting setting then this one if worth a watch, it doesn't do anything mind blowing but it does a good enough job at being an effective horror film.

As more residents leave the building, the paranormal incidents only intensifies inside their apartment. Spearheading the acting department is Narges Rashidi in the role of the mother who's still reeling from the revolution's impact on her life, which only worsens when a series of inexplicable activities begin unfolding in her apartment.

And supporting her all the way through is Avin Manshadi who is in as her daughter and both of them play their part convincingly. It's a good film.

A touching drama about a war torn family and people living in fear in a period of war. Good production value and good acting, too.

So, why the three stars? Because it claims to be a horror film. The horror part of the film, which consists of standard jump scare mostly, comes after a very long while, few and far in between, and not scary at all.

The potential is there, considering the culture which is religion-heavy behind the story, but it's not explored enough. If you're looking for a horror film, and you're thinking, "Ooh, this must be unique because it's a foreign film," this is not the one.

If there is one thing horror movies do best, it's taking real life, psychological fears and making them as tangible as possible, forcing us to experience the dread that we prefer to push into the back of our minds, yet this is something often traded out for cheap shock in horror movies today.

While "Under the Shadow" may miss a few beats in terms of its actual scares, it is an atmospheric and smart film that is about the real oppression that many people had to deal with and how it affects its main character.

It takes place in Iran during the 80s, a very divisive time in the country's history, when Iranians could be bombed by Iraq at any moment.

Anyone who didn't follow their strict rules was horribly punished, and one could be discriminated against for their past political views, and the end of the war was nowhere in sight.

The film begins with Shideh attempting to finish her medical studies, but being turned down for her past political views.

Her mother has just died, and she always dreamed that Shideh would be a doctor. Her husband, while loving, doesn't seem very supportive, and they get in an argument which details her past, showing that her husband has subtly oppressed her in the past.

He leaves for work around a time that rumors begin to surface about Iraq bombings. He insists she take her daughter to his parents' house, and she denies, mostly as a way to prove that she can take care of her daughter.

However, after the first bombing, Shideh begins to lose control of her daughter, who starts to talk to supernatural beings brought on by the anxiety and fear caused by the attacks.

Most people begin leaving, and soon she is left alone, desperately clinging to her daughter, but often failing.

Under The Shadow

Under The Shadow Video

UNDER THE SHADOW Trailer (2016) Horror Movie

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